I had consumed nearly every show I was told I’d love on Netflix as I’d contemplated transitioning to Amazon Prime — Orange is the New Black, GLOW, Living With Yourself, Big Mouth, Comedians in Cars Getting Coffee, The Kominsky Method, Bojack Horseman, F is for Family, Maniac, and Master of None to name a few. And in the case of all of the above (with about 8 or 9 more I decided not to list)… I did in fact love them. Some more than others, but all appropriately dynamic and enjoyable.
With everything seemingly checked off my bucket list for the time being, I was about to sign off, and one last series peaked its head around the corner. I’d been recommended to look into it several times, but something about it seemed bland. Every still shot of the show was set in some rural-ish small town, with an obvious fish-out-of-water placement of Eugene Levy or Catherine O’Hara looking befuddled. I’d told myself it wasn’t worth my time. I hovered over the preview and watched. All the tropes were there: a wealthy family no longer wealthy, Eugene Levy being… Eugene Levy, Chris Elliott being… Chris Elliott, small town vs. big city. Whatever. But, an inadvertent click popped the preview into a pilot, and I took my seat. Continue reading ““So Long and Thanks for the Fish, Man” #053: Oh Schitt!”