Tag: Pop Culture SquadCast

Spotlight SquadCast Interview with Comics Editor Shelly Bond

Spotlight SquadCast Interview with Comics Editor Shelly Bond

Welcome to another Interview Edition of the Pop Culture Squadcast. In this episode, we spoke with comics editor extraordinaire Shelly Bond.

Anyone who has been paying attention to comics over the past thirty years knows that Shelly has shepherded some of the most fantastic comic stories to ever come along. Her decades long tenure at Vertigo brought us books like Fables, Lucifer, American Virgin, Clean Room, Euthanauts, and so many more.

Over the past few years Shelly has been curating and publishing comics through Kickstarter. Her anthologies include Femme Magnifique, Insider Art, Heavy Rotation, and Hey Amateur!

Her latest offering which is still available to back is called Filth and Grammar, The Comic Book Editor’s Secret Handbook. It is written by Shelly as part memoire and part instruction manual.

We had the fantastic opportunity to sit down (virtually) with Shelly and talk about what has gone into the creation of this book and her stellar career in general.

This has been one of the most entertaining and productive interviews that I have ever conducted.

We hope that you enjoy the conversation.


Pop Culture Squad: Let’s talk about the newest project. Filth and Grammar. This is a departure from what we are used to getting from Shelly Bond. It seems very personal. What made you decide on this project?

Shelly Bond: Thirty-three years of blood sweat and red ink on my fingers. This is my magnum opus. You do this once in a lifetime and I have been chipping away at it for many many years. I started writing it officially in 2016, and I just wasn’t sure which way I was going to go with it but I was always sure that the title was going to be Filth and Grammar.

“Superstar Artist Trio” for Filth and Grammar.

I didn’t know if was going to err on the side of more grammar and some filth or ninety percent filth and ten percent grammar. But I think I finally struck a good balance when I found my superstar artist trio. When you find the right team, most things fall into place.

I cannot wait to continue working on this book and bringing it to life. Really, for anyone who wants to make comics, anyone who wants to make comics better than they’ve ever made them before, and actually for people who want to become more discerning readers, it’s the kind of book for everybody.


What is in the SquadCast?

There is plenty more in podcast, but some of the topics that we covered include:

These are some of the pros who offer “Pro Tips” in Filth and Grammar, and I bet a few of them came up in the SquadCast conversation with Shelly Bond.

What she enjoys about and some of the challenges of running a self publishing business through Kickstarter.

Her history as young comic editor at Comico to being Senior Editor at Vertigo, to running her own imprint at IDW, to the present. It is enlightening, and she has so much to offer in terms of her experience.

We spent some time talking about the process of making comics, and lettering nerds will find some fun points in the podcast.

Her work on Fables is a great topic of the conversation.

If you are into comics and want to know more about how they get made, this is a great conversation for you.

Also the Kickstarter campaign for  Filth and Grammar, The Comic Book Editor’s Secret Handbook ends this week. You still have a few days to back it.

As a reminder, this was one of the campaigns that we highlighted earlier this month as a Kickstarter You Should Be Backing.


Where Do You Find Shelly Bond?

You can follow Shelly and get all the latest on her projects on Twitter and Instagram.

You can also find her projects at offregister.press.

Spotlight SquadCast Interview with Steve Conley and His Astounding Space Thrills

Spotlight SquadCast Interview with Steve Conley and His Astounding Space Thrills

We got the chance to catch up with cartoonist Steve Conley recently. This is an interview we have been wanting to do for some time and the timing worked out great as Steve is in the middle of a fantastic Kickstarter campaign.

Steve is best known for his multi-award nominated webcomic The Middle Age, but this time around he is collecting and printing his turn of the century webcomic Astounding Space Thrills. The campaign is doing excellent and is something you definitely want to get in on.

Please enjoy this conversation where we talk about the Kickstarter for Astounding Space Thrills, Steve’s career, the history and future of The Middle Age, and we throw in a little pop culture etymology for good measure.


Check out the trailer for the Kickstarter campaign below:

 

What is Astounding Space Thrills about?

According to Steve:

Astounding Space Thrills is a fun, retro-futuristic, sci-fi adventure following hero Argosy Smith as he solves cosmic mysteries. Think of Argosy as 1/3 The Doctor, 1/3 Buckaroo Banzaii, and 1/3 every kid who grew up playing RPGs and video games.

There are very accessible backer reward tiers and so far the campaign is blowing by the stretch goals.

It is an amazing effort that Steve is undertaking by resurrecting and remastering a webcomic that was designed to be viewed on a monitor that used a VGA cable and a computer that required a hard wired cable to a dial-up modem to get to the internet. This is definitely a labor of love and we are looking forward to seeing the final results.

In our conversation, Steve mentioned that he is willing and excited to go back to the world of Argosy Smith if the people want more of it.  I say that sounds like a great idea.

What are the important things to know?

The campaign ends on May 26, 2021.

You can find the campaign page here.

Steve’s website is steveconley.com.

You can follow Steve on Twitter at thesteveconley.

Don’t forget to check out The Middle Age as well. You can find it at Webtoon, GoComics, Tapas, or even in Kindle or Print formats on Amazon.

Steve also has a Patreon page that we highly recommend.

Spotlight SquadCast Interview with Comic Book Editor Heather Antos

Spotlight SquadCast Interview with Comic Book Editor Heather Antos

We are proud to bring you the next installment of the Pop Culture SquadCast: Interview Edition.

This episode we caught up with comics editor Heather Antos.

She  began her career as an assistant editor at Marvel Comics and is currently a Senior Editor at Valiant Entertainment. Heather’s secret origin story was recently chronicled by Kat Calamia at Newsarama.

We talked to her about a bunch of different topics including: assembling talent, editing covers, diversity in comics, the Fabulous Flo Steinberg, and much more.

We transcribed a good portion of the interview below, but there is plenty more in podcast.

You can find the audio recording of our discussion below. We hope you enjoy the conversation.


Pop Culture Squad: Let’s dive in to your work with Valiant these days.  As a comic book consumer, I have enjoyed the fresh takes on the classic Valiant characters that you have been producing over the last few years. How does the process of putting together a creative team with a direction work nowadays in that shared universe?

Heather Antos: A great example to start off with would be that when I came in I was handed Livewire. That wasn’t a story that I helped put together. I think Vita (Ayala) and Joe Illidge (the previous editor) did a great job, but that was something where I was finishing it out. I just want to respect the previous work that is done. A lot of what I did there was asking if things made sense and fit in canonically.

Quantum & Woody #1 (art by David Nakayama)

The first Valiant book that I launched was Quantum and Woody that came out in January 2020. When I joined Valiant, there were really two books that I knew I wanted, and they were Quantum and Woody and then Shadowman (which is going to be on sale in April finally). Quantum and Woody is whacky odd couple-esque type humor. Coming off of Deadpool for three years at Marvel. That is the kind of book that I excel at, and I knew exactly the creative team to go for.

Shadowman #1 (art by Jon Davis-Hunt)

For me, as an editor, I always like to give the creative teams as much freedom as possible. I am hiring Chris Hastings and Ryan Browne for a reason on Quantum and Woody. The same for Cullen Bunn and Jon Davis-Hunt on Shadowman. I want them to feel as free as possible to tell the story that they want to.

The only time that I will put the gavel down and steer the ship is in the case of something majorly universally oriented. If Quantum and Woody somehow go down to New Orleans in Shadowman’s territory, then we have to play by Shadowman’s rules and whatever is going on in that Shadowman book at that time.

Note: I tried to see if we could get some secrets about the plans for the Valiant universe out of Heather. Listen to the podcast to see if I was successful. (Ouch that is the most shameless plug I have ever written.)

PCS: One of the things that we like to do is get into the process of how comics get made and demystify it a bit. As an editor, what do you do in relation to direction and/or assignment for regular and variant covers?

HA: Every editor has a different philosophy in this regard. There are artists like Mike Del Mundo, and the way they conceptualize and think about things are just so beyond what the average human can do; so, whenever I worked with Mike on a cover I would just say, “Hey Mike? This character. You interested? Go nuts!”  He might as  a story element or two to work in, but there are absolutely artists who just do their own thing. With them, I trust that it will be good, because they have a track record.

Valiant typically has three or four covers on every issue. The main “A cover”, two variants, and a pre-order. My personal philosophy is to have the main cover have some sort of a story element in it. For example in X-O Manowar #4, we debut his new suit, and so, on that cover, you can see a new suit morphing on him but you can’t quite make it all the way out. Continue reading “Spotlight SquadCast Interview with Comic Book Editor Heather Antos”

Spotlight SquadCast Interview: Vito Delsante Has a Kickstarter You Need to See

Spotlight SquadCast Interview: Vito Delsante Has a Kickstarter You Need to See

We have another great interview to bring to you. This one is with comic writer Vito Delsante. He has a current Kickstarter campaign in progress for the long awaited graphic novel World War Mob: La Collezione Completa .

We spent some time discussing the origins of this comic project. It sounds and looks fantastic. We highly recommend backing this project.

The elevator pitch for the book is simple.

“It’s the mob from the 1930’s, they take a hit out on Benito Mussolini and I think it is pretty self explanatory from there. If I am worth any kind of salt as writer, there will be obviously nuance involved, but I will let the audience suss that out as they read it.”

The goal of the campaign is to complete and print the book that had been solicited a few years ago but never made it to print.

Artist Giancarlo Caracuzzo is utilizing a fantastic watercolor style bring a unique look to this book.

The Kickstarter campaign ends in twelve days on January 27, 2021, and this is one that you won’t want to miss. The rewards for this project are reasonably priced and as we discussed in the SquadCast, this is one of the projects that you want to see succeed because it deserves to be in the world.

Take a listen to our conversation for more about the history and content of this interesting comic project.

Of course, Vito and I discussed his creator owned book Stray that he developed with co-creator and artist Sean Izaakse. We talked about the plans for the next volume of Stray that he hope to get going this year with artist Marcelo Mueller.

For more of my feelings about Stray check out the Continued After The Next Page column that I wrote about it.

Fans of ’80s comics will enjoy the last third of the SquadCast as we dive into collecting X-Men comics, and you will find out what Chris Claremont has to do with “Luke and Laura” and “Bo and Hope”.


Here is some more art from the Kickstarter campaign.

World War Two! Five men, all members of different crime families, all US soldiers, undertake a clandestine mission ordered by the heads of the Five Families; for crimes against the Mafia, Benito Mussolini must be killed! They must overcome bad blood and family rivalries, the Nazis and the men loyal to Il Duce, and go behind the Army brass’ backs to do it for “La Cosa Nostra!


 

 

 


You can follow Vito’s work at www.incogvito.com

He is @Incognvito on Twitter and Instagram.

And for updated information on what is going on with Stray follow the Facebook page or the Kickstarter page.

Continued After the Next Page #017: Looking Back At The Good In 2020

Continued After the Next Page #017: Looking Back At The Good In 2020

Well, we made it to the end of 2020. I am sure that it didn’t turn out like any of us expected. There have been plenty of low lights, and there are too many people who have been irrevocably harmed by the local and global tragedies that happened this year. That is awful.

However, someone told me something recently that stuck with me. Despite the horrible dumpster fire that 2020 has brought, your mental health can benefit from the activity of looking at the good things that happened in this past year. So, that is what this final post of 2020 will be about.

The SquadCast

This year I finally got off my tush and started presenting the interviews that I do with comic book professionals in a podcast format. In the past, I had merely transcribed the interview, but I found that there was more interesting content in the discussions that people would enjoy that didn’t quite fit in a text post.

So, I went to Buzzsprout and created a hosting site for the Pop Culture SquadCast: Interview Edition. I learned enough of Audacity to edit the interviews and splice some sound together, and here we are.

I need to say thanks to our artistic genius Marc Allan Fishman for the logo and episode art. Also Space In Time is the band that we use for the intro and closing music. You can check there music out at Bandcamp.

And of course, thanks to the pros who to took the time to talk to me about their work.

The Books

While all of you Pop Culture Squad Members know about our digital presence here on the site and on Facebook, Twitter, and Instagram, there is now physical printed evidence that Pop Culture Squad exists. On the back covers of two trade paperback collections, I have blurb quotes for reviews.

I cannot tell you how awesome it is to see my name on a comic book. I could not even have ever imagined that five years ago.

Both of these books are special to me. Hyperbreed from Louise Simonson and Guy Dorian is a fun YA space story from Storm King Comics. Did you notice that? My name is on a book written by THE Louise Simonson!!!!

I have been following the Love and Capes stories that Thomas Zahler creates for years, and when he told me last year that he would be coming back to that universe, I was stoked. He totally made it work, and I am grateful for his putting my review blurb on the back of the book in some seriously impressive company.

The Comics Industry Adapts and Supports Itself

This year has hit the comics industry hard. Publishers and retailers had to deal with a nearly two month shutdown of new comics distribution. But through it all, people worked hard to support each other and save the industry that relies a lot on in-person contact.

So many great new comics were made and you can check out our list of the years best here.

Fundraisers and charity auctions popped up all over the place. We detailed some of those as they occurred.

Give Comics Hope is one of the charities that we highlighted through the year and will continue to do so.

There were plenty of Kickstarter campaigns launched to find different ways to publish and create comic book content. You better believe that we covered them.

Conventions Happened… Sort of

When the Covid-19 pandemic hit America hard in March, comic conventions were scrapped as we all needed to isolate to stop the spread of the dangerously contagious disease. But plenty of talented people scrambled to turn the experience of seeing pop culture personalities and comic creators in virtual cons.

Some were better than others, and none truly replaced the experience of strolling down artists alley and chatting with creators and friends. However, they were good enough to be a decent placeholder for the time that we will be able to be vaccinated and able to go out and see each other in person.

Geek Culture TV

There was a massive amount of quality television programming that was produced and broadcast this year. There are more outlets, streaming and otherwise that are now committed to delivering high quality shows. Here is a list of some of our favorites in no particular order:

  • SCHITT’S CREEK: SEASON 6 – AMC
  • WHAT WE DO IN THE SHADOWS: SEASON 2 – FFX
  • HARLEY QUINN: SEASON 2 – HBOMax
  • THE BOYS: SEASON 2 – Amazon Prime Video
  • THE MANDALORIAN: SEASON 2 – Disney+
  • LOVECRAFT COUNTRY: SEASON 1 – HBOMax
  • THE UMBRELLA ACADEMY: SEASON 2 – Netflix
  • STARGIRL: SEASON 1 – CW
  • I AM NOT OKAY WITH THIS: SEASON 1 – Neflix
  • STAR TREK: PICARD: SEASON 1 – CBS All Access
  • KILLING EVE: SEASON 3 – BBC
  • PERRY MASON: SEASON 1 – HBOMax

And don’t forget there were some other shows like Tiger King (Netflix) and The Vow (HBO) that left us captivated, or horrified, or both.

Based on the announcements from Disney, Warner Bros, and others, it looks like this trend of high quality serialized episodic programming with continue.

Pop Culture Squad Thrived

Even before the pandemic shut down a lot of the world, we worried that this would be a slow year for PCS. However, we persevered and continued to bring you content as best you can.

If you are not a regular reader of Mike Gold‘s two columns here, you are missing witty and entertaining stories and opinion.

Ed Catto’s regular With Further Ado column finds new ways to look at comics, books, film and other cool stuff.

While we have bigger dreams for what is to come, it was a pretty good year for Pop Culture Squad and we are excited for making them happen in the next year.

Thanks for being here, and READ MORE COMICS!

Spotlight SquadCast Interview with Comics Writer Justin Jordan

Spotlight SquadCast Interview with Comics Writer Justin Jordan

Today, we bring you a new spotlight interview. In this session, we spoke with comics writer Justin Jordan.

Justin has been a professional comic book writer for over a decade now and is the co-creator of fan favorite indie comics The Strange Talent of Luther Strode, which has recently been optioned as film by Allnighter, and Spread among others. He has worked for DC Comics and Valiant Entertainment as well as other licensed properties while developing his creator owned comics.

In collaboration with artist John Amor and letterer Micah Myers, Justin has been publishing the webcomic Urban Animal on Webtoon.com for a couple of years now. He and John are bringing the webcomic to print through a kickstarter campaign in conjunction with Rocketship Entertainment. The campaign has hit its initial funding goal already and there are over 10 days to go before it ends.

We had a great conversation about the origins of Urban Animal, and his career. We talked about how this year has been different for everyone. We transcribed a good portion of the interview below, but there is plenty more in podcast.

You can find the audio recording of our discussion below. We hope you enjoy the conversation.


PopCultureSquad: Let’s talk about the kickstarter for Urban Animal. What are you looking to accomplish and how does that work with Webtoon, who publishes the digital comic on their platform?

Justin Jordan: Well John Amor and I do a series called Urban Animal over at Webtoon.com. It’s about Joe Gomez who thinks he’s an ordinary kid until one day he turns into a sabre toothed tiger and finds out his life gets a whole lot weirder from there. Continue reading “Spotlight SquadCast Interview with Comics Writer Justin Jordan”

Spotlight SquadCast Interview with The Steve Orlando of Comics

Spotlight SquadCast Interview with The Steve Orlando of Comics

Welcome back to another spotlight interview. In this session, we spoke with comics writer Steve Orlando.

Steve has recently fulfilled his exclusive contract with DC Comics and is planning his expansion into lots of new types of projects and genres. He is well known for his work on Midnighter and Martian Manhunter, but also wrote Justice League of America, Unexpected, Electric Warriors, Wonder Woman, and others. He has written Crude for Image Comics, and Dead Kings for AfterShock Comics which were well reviewed here at Pop Culture Squad.

His latest bold project is a collaboration with artist Davide Tinto called Commanders in Crisis, and it debuts this week from Image Comics.

We has a wide ranging discussion of his past work, his influences, and how he views himself in society. It was a wild conversation and one that defies the written word. I tried to pull some highlights as you will see in the abridged transcription below, but this is an interview that needs to be heard.

Steve is a fascinating man and incredibly talented writer who knows what he wants to say and has done an excellent job of accomplishing that up to this point.

You can find the audio recording of our discussion below. We hope you enjoy the conversation.


Squadcast Highlights:

Pop Culture Squad: You said that Commanders In Crisis “is a fight for comics as they need to be.” What does that mean?

Steve Orlando: Commanders in Crisis will give you hope. It will talk about the current moment, and it will do so with some wild comic book s#!t that you could never see at DC.

PCS: What was it like working with Philip Kennedy Johnson on To Kill A Man, soon to be released from AfterShock Comics.

SO: I love working with [Philip]. We make each other better. I am very proud of that book. I think it’s one of the best if not THE best thing that I have been part of as a collaboration, and a lot of that is because [Philip] and I aren’t precious about s#!t. We sort of know when to lean in and lean out so that everything feels real and authentic. Continue reading “Spotlight SquadCast Interview with The Steve Orlando of Comics”

Spotlight SquadCast Interview with Comics Colorist Chris Sotomayor

Spotlight SquadCast Interview with Comics Colorist Chris Sotomayor

Welcome back to another spotlight interview. In this session, we spoke with comics colorist, artist, and teacher Christopher Sotomayor.

Chris has been part of the comic industry for twenty-five years. He has done a lot of work for Marvel and DC, including long runs on Captain Marvel, Nightwing, The Hulk, and more. You can find him currently doing colors for Deadpool, Batman Beyond, and The Question: The Deaths of Vic Sage.

Chris teaches the online comic coloring classes with Comics Experience and has a new session coming up next month.

While we have interviewed Chris before, we reached out to him again to get his perspective on how the pandemic is affecting his work and the current state of the comics industry.

You can find the audio recording of our discussion below, and we transcribed a big portion of it for you as well.

We hope you enjoy the conversation.

Download

Pop Culture Squad: Let’s get started with talking about the books you working on these days.

Chris Sotomayor: I am working on whole range of different things, and I am excited about most of them. I want to say all of them, but if I am being honest, I am excited about most of them.

PCS: That is fine. We had talked about that Batman Beyond is coming to an end. Are you finished with it? Continue reading “Spotlight SquadCast Interview with Comics Colorist Chris Sotomayor”

Squadcast Spotlight Interview with No Heroine writer Frank Gogol

Squadcast Spotlight Interview with No Heroine writer Frank Gogol

Welcome back to another spotlight interview. In this session, we talked with comic writer Frank Gogol.

Frank Gogol is a comic writer who if following up the hit series Dead End Kids with his latest creator-owned story, No Heroine. He is an alumnus of the Comic Experience program and also produced the Ringo Award nominated anthology Grief. All three of those books are published by Source Point Press.

No Heroine is a three issue mini-series on which he is working with Chris Madd on art, with colors by Shawna Madd and letters by Sean Rinehart.

We spoke to Frank in May, and below, is the result of that conversation.

You can find the audio recording of our discussion below, and we transcribed a big portion of it for you as well.

We hope you enjoy the conversation.

Download

Pop Culture Squad: Frank! Welcome back to Pop Culture Squad.

Frank Gogol: Good to see you again or to hear you again, I suppose.

PCS: Sure. So, let’s start out with this. We are on the verge of a new “Frank Gogol” story. What do you want people to know about No Heroine, in terms of the story?

FG: That is a big question. I’ve been talking about this book for, what is it the middle of May, for about six months now, and I still don’t really know how to say everything succinctly. I guess, this is my love letter to Buffy, The Vampire Slayer. I grew up on Buffy. I started watching Buffy, the Vampire Slayer way too young. I was eight when it premiered in 1997, and I’ve been watching it pretty religiously ever since.

So, I was a little too young for it, but I watched it and knew sort of immediately, instinctively, it was something different, something special. I always loved the storytelling, and it has definitely informed my storytelling. Joss [Whedon] is a dark guy. He writes these stories, and he really sticks the knife in and twists it. I think that’s the stories I try to tell. It’s definitely the case in No Heroine. It doesn’t pull a lot of punches, it’s a dark book about a young woman dealing with drug recovery, and there are vampires too, I guess. But that isn’t really the point.

PCS: I think that is a good starting point. This book is clearly not the slice-of-life or reality-based books that I have read of yours. How did you find having the shackles of human-only characters being removed? As you said, it’s not necessarily a vampire book. There are vampires in it, but there ARE vampires in it?

FG: When I starting writing four years ago last month, and I remember about that time right before and right after. I was sort of setting down some sort of principles or pillars for myself as a writer, like the kind of stories I want to tell and the things that I would not do and things I would do. One of the things I said I would do, and I think I stuck to this pretty well, was to tell character forward stories and have a genre and action take a back seat in favor of really good character work. Weather its good or not, it’s definitely taken a front seat. Definitely in Dead End Kids and definitely in Grief.

In this book, I wanted to do the same thing. So, the vampires are not an afterthought in the story but an afterthought in the creation of the story. I wanted to tell a story that gave a fair and honest, sort of “gray space”, look at the recovery part of addiction. We have a lot of pop culture that deals with addiction. We see this sort of phase of people’s lives where they are using drugs, and we see the rehabilitation phase quite a bit, but we don’t usually see the part that comes next, which is, for the people who find success in rehab, the recovery phases. Continue reading “Squadcast Spotlight Interview with No Heroine writer Frank Gogol”

Spotlight SquadCast Interview with Writer Joe Harris

Spotlight SquadCast Interview with Writer Joe Harris

Welcome back to another spotlight interview. In this session, we spoke with award-winning comics creator and screenwriter Joe Harris.

Joe has a written a new comic, Disaster, Inc., debuting this week from AfterShock Comics. It is drawn and colored by Sebastián Piriz and lettered by Carlos Mangual.

He has written for Marvel, DC, Image, IDW, and Storm King Comics, among others. He is well known for shepherding the return of The X-Files to comics at IDW beginning in 2013. Some of his other titles include: Great Pacific, Snowfall, Rockstars, Slingers, and Surviving Nuclear Attack.

Harris also wrote the screenplay to Sony Pictures’ Darkness Falls. His style is very character centered and his creator owned work tends to cling to the horror or speculative fiction genres.

We were excited to get a chance to talk to him about his writing process and also how he is dealing with the COVID-19 pandemic while living in New York City.

You can find the audio recording of our discussion below, and we transcribed a big portion of it for you as well.

We hope you enjoy the conversation.

DOWNLOAD

Pop Culture Squad: So, thanks for doing this. Before we get into anything, how are you feeling?

Joe Harris: I feel good. I’m looking into getting an antibody test soon. So, I can know, one way or another, if I have had COVID-19 or not. I was symptomatic a few weeks ago. I think you remember. So, who knows.

PCS: Well, I am pretty confident that you had it based on the symptoms you were describing. You documented the illness while you were in isolation, and then you sort of disappeared for a day. It’s scary, and it is a scary time for everyone. For all those people who are down playing the seriousness of it, people are dying. You live in the center of the worst of it.
What’s that like being in New York right now?

JH: Um, Kind of surreal. I mean, at this point, it’s kind of shocking at how normal everything has become… There are things you’ll probably get angry about this stuff no matter where you go. You probably see somebody not wearing masks. You’ll see people that aren’t keeping adequate distance, but for the most part New York, I think, by and large, considering how big it is, has done a decent job.

I don’t know how that comes out in the wash when you think about the amount of dead and the number of infected, but it seems like at least for a stretch the city was doing what it could. It is a little less desolate now though. I can hear more people out on the street. I don’t hear as many ambulances.

Which makes sense considering, that the emergency rooms aren’t has overrun as they apparently were. I don’t know when we come out of this. It’s been a little surreal. So, it’s hard to imagine how everything goes right back to normal. That much I don’t see; I don’t know what would looks like or what that will feel like. The city just kind of adapts. I haven’t been down in the subway in months, and I expect it will be sometime before I am again.

PCS: Let’s get into some comic stuff. We know that Disaster, Inc. is the first book that Aftershock is going to be shipping through Diamond when the restart happens on May 20th. So, what do you want to tell people about the book? Continue reading “Spotlight SquadCast Interview with Writer Joe Harris”