Tag: Disney

Brainiac On Banjo: Publish and Perish?

Brainiac On Banjo: Publish and Perish?

“I need you, but I hate to see you this way / If I were Superman then we’d fly away / I’d really like to change the world / And save it from the mess it’s in / I’m too weak, I’m so thin / I’d like to fly but I can’t even swim” — Ray Davies, (Wish I Could Fly Like) Superman, 1979.

You might have heard the news. It’s been bombarding El Casa de Oro all week, and it’s been blitzing the interwebs to the point where I’m thinking of upgrading my dial-up. But just in case you’ve been away chasing after the Perseverance Rover, I’ll make my journalism teachers happy.

This past weekend, AT&T sold control and most of their ownership of their WarnerMedia division to Discovery Networks, owners of the many, many Discovery “cable” channels, HGTV, the Food Network, TLC, ID, Animal Planet, the Magnolia Network, and the Discovery+ streaming operation. They call this stuff “reality programming” but, as we all know, reality is in the mind of the beholder. As far as I’m concerned, that million-dollar vaccine lottery is the only reality show.

AT&T had only recently bought what they now call WarnerMedia — Warner Bros, CNN, HBO, Cinemax, the Cartoon Network, TCM, TBS, TNT, and a bunch of other stuff. If you can read the six-point type, you’ll discover they own some publishing as well, such as whatever is left of Mad Magazine and the meandering DC comics. Ma Bell went into so much debt to do this deal that, upon reading the report, King Midas reflexively picked his nose.

After acquiring that Denali of debt load, AT&T came down with a severe case of buyer’s remorse. I’m sure the stay-home-or-die principle that governed most thinking humans these past fourteen months did not help one bit, but it wasn’t a very good deal in the first place. After all, what does AT&T know about running the Home Insurance Building of media (sorry; “I.P.”) companies? Continue reading “Brainiac On Banjo: Publish and Perish?”

Brainiac On Banjo #101: Let’s Go Get Screwed

Brainiac On Banjo #101: Let’s Go Get Screwed

You know I work so hard, all day long / Everything I try to do, seems to always turn out wrong / That’s why I wanna’ stop by, on my way home and say / Let’s go get stoned – written by Nickolas Ashford, Valerie Simpson, and Josephine Armstead, 1965.

You would think that after decades of legal entanglement, public ridicule, and media hostility, corporate America would have learned something from the Jerry Siegel – Joe Shuster “who owns Superman” slugfest. You might also think it would be swell if we could watch monkeys fly.

On his justifiably well-respected Word Balloons podcast last week, John Siuntres conversed with Alex Ross, and Alex dropped some shit. It seems the DC Comics daisy chain (DC < Warner Bros < WarnerMedia < AT&T, a.k.a. Ma Bell) no longer pays artists or writers when they use their work on screen. Alex discusses his Kingdom Come series with Mark Waid, his design of the current Batwoman, his re-design work with Wonder Woman, and his contributions to Black Lightning. His work has been seen, or closely imitated, in various WarnerMedia adaptations of the DC grimoire. Movies, teevee shows, streaming stuff, the whole enchilada has been heavily seasoned with buckets of Ross. Continue reading “Brainiac On Banjo #101: Let’s Go Get Screwed”

Brainiac On Banjo #100: Wonder Woman Saves Lives! Really!

Brainiac On Banjo #100: Wonder Woman Saves Lives! Really!

Make a hawk a dove, Stop a war with love, Make a liar tell the truth. Wonder Woman, Get us out from under, Wonder Woman. All our hopes are pinned upon you. And the magic that you do.– Theme from the Wonder Woman television show, written by Norman Gimbel and Charles Fox

Yesterday (Wednesday, to the calendar-challenged), the folks on the Left Coast at WarnerMedia — those who still have jobs — announced that on Christmas Day they will be releasing Wonder Woman 1984 to those American theaters that may be open. This wasn’t a shock — it’s been in the can for about half of this year, and they’re probably tired of paying out all that interest. I don’t blame them one bit.

Surprisingly, they also announced they’ll be running the movie on their HBO Max streaming operation starting that very same day. They didn’t mention how long it will be available to pluck from the Cloud, but the media wonks feel that will be a month. Well, that’s damn cool. Happy New Year!

Shockingly, WarnerMedia also announced they will not be charging $30.00 for the privilege of watching the sequel to a movie that made almost nine-tenths of a billion dollars by putting people’s butts in theater seats. That’s how much Disney charged when they diverted their live-action Mulan to their Disney+ streamer, and they seem to have done pretty well with that.

So… get this! HBO Max will be charging absolutely nothing extra. They’re hoping they sell a lot of new subscriptions and renewals. I’ll bet right before Wonder Woman 1984 we’ll see a new trailer or three for their mostly-new five-hour “Snyder Cut” of the Justice League silver screen train wreck. I wouldn’t be surprised to see a trailer for their new Wonder Girl teevee series as well.

Like many others (including Pop Culture Squad’s HBIC), I would prefer to see Wonder Woman 1984 on a big screen. I loved the first one — it inspired a lot of little girls in the audience, and it gave me hope. Well, in that case it was hope that Warner Bros can make another superhero movie that’s at least half as good as those made by Marvel. But, hey, times suck and we’ve got to adjust. Personally, I’d also like to drive from Connecticut to Kansas for some barbecue, and right now that ain’t gonna happen either.

A lot of people will be driving during Christmas and New Years, assuming those mathematics-denying flat-earthers don’t kill themselves or others at their huge, indoor family-infested Thanksgiving dinners, believing there is some unstated provision in the Constitution that allows them to murder their friends and relatives while keeping the Covid-19 virus fat and healthy.

But, now, there’s an out for some of the more intelligent and reasonable folks in those families. They just might buy some holiday candy and stay home to watch Wonder Woman 1984. After all, not everybody is willing to risk their lives for the honor of watching a bunch of football games with people they really don’t like and dare not speak with. This will not only prevent or delay some spread of Covid, it will also reduce the number of family manslaughter arrests and, if we’re lucky, some DUI issues as well.

WarnerMedia might be taking a bath on the movie, but it’s quite likely their decision will lives.

Besides… those people who were planning on seeing Wonder Woman 1984 by gawking at their computer screens at a shaky camera-copy bootleg? Hey, Warners, you just did them a solid!

Seriously. AT&T, owners of WarnerMedia which, in turn, owns Warner Bros which, in turn, owns DC Comics deserves serious appreciation. They might be thinking they’re doing the only thing they can given the situation, but they should be aware they’re also doing the right thing.

Saving lives… in the spirit of Wonder Woman.

Brainiac On Banjo #091: DC Universe … From Streaming To Sinking

Brainiac On Banjo #091: DC Universe … From Streaming To Sinking

As of this writing, which is 9 PM EDT Sunday July 12, the DC Universe streaming service is still alive. It’s home to some of the most entertaining superhero teevee programing around, in my opinion. I can’t speak for yours. But that thing coughing up blood all over your Wi-Fi is, sadly, the DC Universe streaming service. And it’s the fault of their own artistic success.

Aside from hospitals, the only place that has had a worse month than the DCU has been the White House. In fairly quick order, the service lost future first-run episodes of Stargirl to the CW, saw The Doom Patrol multicast on the pathetic HBO Max sinkhole, Harley Quinn also airing on Syfy and Canada’s Adult Swim, and is thought to be migrating to HBO Max as well. Titans remains, but might be severely undermined by DC’s new Gotham City Police show (not necessarily the final title) spinning out of The Batman movie the now filming in Europe.

Continue reading “Brainiac On Banjo #091: DC Universe … From Streaming To Sinking”

Brainiac On Banjo #085: Crossing The Stream

Brainiac On Banjo #085: Crossing The Stream

Star Wars! / Give me those Star Wars! / Nothing but… Star Wars / Don’t let them end — written by Nick Winters, 1977

With all the streaming at our fingertips, the entertainment business is making a lot of headlines promoting what they’re going to do once Earthlings return to mobility. But don’t get excited just yet: the only cameras operating right now are working Zoom and not Studio Binder. When Keith Richards self-quarantines, everyone should self-quarantine.

Next week’s launch of HBO Max has turned up the heat. Clearly, studios are concerned about competing for subscribers with promises of new content, which, at best, won’t appear until after the winter solstice. My take on HBO Max is simple: it’s goddamn expensive, and right now they’re running little but reruns. It’ll probably work out because they’re not promoting that fact. But reasonable bean-counters understand that few people are going to maintain subscriptions to HBO Max, Disney+, AppleTV, CBS All Access, Peacock Premium, and Amazon Prime – to name but a very few – all at once. That’s a lot of money, and it’s also more programming than one can handle. Continue reading “Brainiac On Banjo #085: Crossing The Stream”

‘New Mutants’ Movie Has A New Release Date Set for August

‘New Mutants’ Movie Has A New Release Date Set for August

This is not a drill!!! The New Mutants film will finally see the light of day, unless it doesn’t. According to Variety, Disney has added The New Mutants back to its release calendar with a “theatrical” debut on August 28, 2020.

Maisie Williams, Henry Zaga, Blu Hunt, Charlie Heaton and Anya Taylor-Joy in “The New Mutants.”

The former Fox film was originally set for release in 2018, but has been beset by numerous delays. When Disney set the April release and started showing some amazing trailers and set photos, fans of the comic book team began to get excited that they would actually get to see Magik, Dani Moonstar, Cannonball, and Wolfsbane on the screen.

However, the nationwide shutdown of movie theaters in response to the COVID-19 pandemic resulted in Disney removing the film from the schedule. While the new date for release it at the end of August, we are still hoping that theaters will be open by then and there will not be any additional delays with this ill-fated film.

Here is the trailer for those that haven’t seen it or those that need to see it again!!!!

Source: ‘New Mutants’ New Release Date Set for August – Variety

Brainiac On Banjo #081: The Crack of the Whip!

Brainiac On Banjo #081: The Crack of the Whip!

I mean to say that every day Is just another rotten mess / And when it’s gonna change, my friend / Is anybody’s guess / So I’m watchin’ and I’m waitin’ / Hopin’ for the best / Even think I’ll go to prayin’ / Every time I hear ’em sayin’ / That there’s no way to delay / That trouble comin’ every day • Trouble Every Day, Frank Zappa, 1966

 

People, including your feckless correspondent, have been predicting the death of the 32-page comic book pamphlet for many decades. It’s been an unsustainable model since the late 1950s, and sooner or later it was bound to catch up with reality. Us fans have been copping Sisyphus’s act for six decades.

Well, if you hang on long enough, most predictions kinda come true. This one hasn’t. Not yet.

Premature as they are, there have been conflicting reports as to when comics are going to resume publication and distribution, and how many comics shops are likely to be open – even with curb service. That’s putting the cart before the horse, but the comics racket has taken on the countenance of the buggy whip factory for a long time now. And, yes, they still make buggy whips, but I’ll bet you know far, far more comics readers than buggy owners. Continue reading “Brainiac On Banjo #081: The Crack of the Whip!”

So Long and Thanks for the Fish, Man #057: “The Mandolorian” Broke Me of My Star Wars Malaise

So Long and Thanks for the Fish, Man #057: “The Mandolorian” Broke Me of My Star Wars Malaise

A long time ago in a galaxy far away… a nerd convinced a studio to give him money to make a visual effects masterpiece with significant merchandizing appeal. He mashed together the tropes of the science fiction and fantasy serials he loved growing up, and put together a wonderful homage to the hero’s journey. It made a lot of money, and soon thereafter, Star Wars became an empire. But you already knew that.

As I’ve detailed before: my personal Star Wars fandom was mild to possibly salsa verde at any given point. As an only child of parents not into pop culture, I didn’t actually sit down to enjoy the original trilogy in earnest until the late 90’s special edition releases. And while I’d been inundated to all the significant moments through delightful pastiches abroad, as well as avidly played through any number of Star Wars licensed video games (Tie Fighter, Rebel Assault, and Dark Forces)… in the battle between the light and dark side, I was quite the mercenary. That’s to say that I was a fan only when it suited me to be. Continue reading “So Long and Thanks for the Fish, Man #057: “The Mandolorian” Broke Me of My Star Wars Malaise”

So Long and Thanks for the Fish, Man #051: Why Can’t I Care About Disney+?

So Long and Thanks for the Fish, Man #051: Why Can’t I Care About Disney+?

My name is Marc Alan Fishman, and I have a solemn confession: I don’t love Disney. I barely like it, in fact. The House of Mouse has come to own basically over half of all known creative content within my personal wheelhouse — that of the nerdy variety. It seems suspect that my head tells me I should have been coocoo-bananas for the recently launched Disney+ steaming service, yet my heart makes a wet fart noise and I move on.

And trust me, it feels like a rare feat. My social media feeds are nearly choked with baby Yoda (not Yoda)  memes, and genuine gushing goo-goo’ing over all the content on the service. Yet, no matter how many trusted friends stamp The Mandalorian with their recommendation, nor posting about reruns of Darkwing Duck… the excitement bounces off of me much like I assume elation over a new BTS album dropping does to a hipster. And let’s be clear as day kiddos: I ain’t hip. Continue reading “So Long and Thanks for the Fish, Man #051: Why Can’t I Care About Disney+?”

Brainiac On Banjo #058: The Writer That Devoured Cleveland!

“Kick ’em when they’re up / Kick ’em when they’re down / Kick ’em when they’re stiff / Kick ’em all around.”

-Don Henley and Danny Kortchmar, Dirty Laundry

Popular culture is a living thing. It grows like amoebas on Viagra, constantly mutating into new life forms. This gives us an endless supply of new things and new people who create new things. Some of those folks last, others wish they didn’t take out that seven figure mortgage.

Brian Bendis was one of those new forces. He’s defied the odds — to say the least — by being on the comic writer’s A-list for, well, damn, over two decades. That’s quite a feat; but the fact that a dozen newer writers subsequently have joined that same A-list without pushing him off is nothing short of remarkable. He started out with the “independents,” went to Marvel, earned his way into getting screen credit for about a million movies and television shows while creating all sorts of cool characters, and then left the House of Mouse for Kryptonian pastures.

Anybody who can jilt Mickey like that deserves a guest shot on South Park.

I thought he had a slow start on the Man of Steel, but instead of annoying me (which is very easy to do), I was fascinated. He was taking risks and stepping on Superman’s cape — declining to adapt to overworked standards while working with the flow to scrape the barnacles off Superman. Watching that has been an interesting experience. Last week it all come together for this jaded reader.

Action Comics #1016 (whole number, 1016) is all about Superman’s losing his battle with a fairly new villain, the Red Cloud – not to be confused with either of the Red Tornadoes. The Daily Planet’s reporter / gossip columnist Trish Q is on the story, canvassing the neighborhood and interviewing those who saw the conflict. This is and of itself is pretty cool – as far as I can tell, the Daily Planet invented newsroom cutbacks 60 years ago by limiting Perry White’s on-panel staff to Clark Kent, Lois Lane, maybe Jimmy Olsen (who may or may not be the staff photographer who may or may not write stuff), and occasionally Steve Lombard and Cat Grant. Of course, lately Lois has been hiding in a very expensive Chicago hotel, doubtlessly searching for the world’s best Italian beef sammich like the rest of us. Trish is a very interesting character, and I hope she sticks around.

About two-thirds of the story is told through the comments made by Trish’s interview subjects. There’s nothing new about this storytelling technique, and it makes good use of Bendis’s gift for expository dialogue. But it is out-of-the-ordinary to tell the story of Superman’s defeat in battle in such a manner; writers usually focus on the flow of action with dramatic close-ups of the hero’s face being beaten to a pulp. In his “telling-through-interview” style, Brian is showing us the faith the citizenry has in the Man of Steel while avoiding the limp, overworked cliché of the masses turning on their champion for failing to defeat every evil that is foisted upon them.

In other words, this is a story about faith. It’s somewhat subtle, but faith is a subtle thing.

Bendis introduces his creation Naomi to the Justice League, creating another opportunity for him to play a bit with the world’s most psychotic costumed family jewel, the ubiquitous Batman. In the real world, such as it is, Bruce Wayne would be shackled to a wall in Arkham Asylum. In Bendis’s world, Batman is fleshed out a bit around the edges, giving purpose (legitimate or not) to his massive assholery. I’d read the story for this alone.

Much praise has been heaped on Brian Bendis over the past decades, and that, of course, makes him target for terminally obese trolls who dirty their own laundry. That’s how fame works. But if you think this guy didn’t earn his chops or that he’s past his prime, check out Action Comics #1016.

Special thanks to M.G. Krebs for the title to this week’s masterpiece. Brian Michael Bendis, like Jerry Siegel before him, is from Cleveland. To the best of my knowledge, neither are monsters… in the classical sense.