Tag: Jim Salicrup

With Further Ado #100: 100th Smash Column

With Further Ado #100: 100th Smash Column

Do you think wedding anniversaries are big deal? Anniversaries for comics series are a big deal too!  Fans of a certain age were trained to expect a mandatory celebration when a series reached a certain numerical milestone, and usually the celebration was self-congratulatory, and promotional. And the fans would be soaked for a higher cover price too.

As a kid, I remember when my neighborhood pal George Riley proudly proclaimed he had a copy of the Batman #200 Smash Issue.  I was perplexed.  How could George, whose forte was always war comics, have this important Batman comic? And one that I didn’t have?  And just what was a Smash Issue anyways?

<Note: I still don’t know what a Smash Issue is.> Continue reading “With Further Ado #100: 100th Smash Column”

With Further Ado #043: The Super Genius of Jim Salicrup

With Further Ado #043: The Super Genius of Jim Salicrup

What do you get when you take a guy who loves comics, was mentored by Stan Lee, spent time with Spider-Man (and especially Venom) and has an incredible publishing track record?  Throw in a dollop or two of “he’s an awfully nice guy” and you have Jim Salicrup. 

I’m eager to drag Jim up to Ithaca College as a guest speaker for my entrepreneurial and comic-con courses. But until then, I had to catch up with him and find out about his new endeavor, Super Genius! 


Ed Catto: You have an amazing history in comics, Jim. Can you remind me how you started and how you got to this point?

Jim Salicrup: Like most people working in comics today, I fell in love with comics as a kid. In fact, my childhood dreams, back when I was a kid living in the projects in the Bronx, were to work at Marvel Comics and to live in Manhattan. I even applied to the High School of Art and Design, where so many comic book artists went, thinking that would prepare me to work in comics. Imagine my surprise, when after sending a postcard to Marvel offering to be their slave, they actually took me up on my offer! Well, I wasn’t technically a slave—I was paid a salary. And this happened in the Summer of ’72 before I even started attending The High School of Art & Design. Once I was at Marvel, I was there for twenty years, eventually editing most of Marvel’s top titles—from the Claremont/Byrne X-MEN to SPIDER-MAN by Todd McFarlane.

After I left Marvel, I was the Editor-in-Chief at Topps Comics, where I worked with everyone from Jack Kirby to Ray Bradbury! After Topps, I was back working with Stan Lee again as Senior Writer/Editor at Stan Lee Media. And after that, I was involved with the Museum of Comic and Cartoon Art (MoCCA) and co-founding Papercutz with NBM publisher, Terry Nantier. Our first graphic novels came out January 2005, and we’ve been dedicated to publishing great graphic novels for all ages ever since.  Continue reading “With Further Ado #043: The Super Genius of Jim Salicrup”