Brainiac On Banjo #036: Women Unite — But In Mongolia, Hold The Soda!

Brainiac On Banjo #036: Women Unite — But In Mongolia, Hold The Soda!

Avengers: Endgame passed the $2,100,000,000 mark ten days after release, so in honor of that momentous event, here is a photo of my all-time favorite superhero team-up, even though it has yet to happen on-screen.

Now that the Avengers movies have made about as much money as your average Wall Street cocaine dealer, I think we can say the “women heroes don’t sell movies” bullshit is behind us. It’s time to do the A-Force movie.

Seriously. It’s well past time, but before this weekend the banks might not have financed such a film. I think an A-Force movie will inspire more young girls than a woman president, though that is not an either/or proposition. And the prospect of women getting their boyfriends to take them to a big super-hero movie epic is the very meaning of “turnabout is fair play.” Continue reading “Brainiac On Banjo #036: Women Unite — But In Mongolia, Hold The Soda!”

Steve Ditko: Inside His Studio Sanctum Sanctorum

I wrote my first letter to Steve Ditko in early 1973, while I was still in high school. It was the typical letter, the type a budding fan-artist back then might send to a seasoned professional comics artist — full of effusive praise, capped with a request for some secret kernel of artistic knowledge that would magically transform overnight a fan’s crude artistic efforts into professional-level artwork. Ditko did his best to answer, giving what was, in retrospect, a solid list of advice.

Two years later, I wrote Ditko again, and this time, I asked if I could stop by his studio for a visit when I was in New York City later that year. He politely declined, and I pushed that idea into the dustbin of history – not realizing that 28 years later my request would become a reality.

More than two decades passed before I wrote Ditko again in 1997. In the interim, I joined the Air Force, learned to be an aircraft avionics technician, got married, had kids, opted to be a career Airman, traveled and lived abroad for nearly a decade, earned a bachelor’s degree, retrained into public affairs during the early 1990s military drawdown, kept drawing, and kept publishing my fanzine, “Maelstrom.” In fact, my third letter to Ditko was a request for what I knew was an extreme long shot: An interview for an upcoming issue of my ‘zine. Again, he politely declined.

I wrote a few more letters during the next two years about nothing in particular – including a couple while I was stationed in the Republic of Korea in 1998. In one of them, I included some terrifically supple Korean-made brushes that were ridiculously cheap, but feathered ink like a Winsor & Newton brush costing 30 times as much.

I retired from the Air Force in 1999 and published “Maelstrom” #7, and dutifully sent Ditko a copy. Our correspondence continued off-and-on until 2002, when I started preparing a Steve Ditko article for “Maelstrom” #8 – along with a cover I drew featuring many of Ditko’s more notable characters. When the issue was published, I sent him a copy, and something about it obviously struck a chord as he sent me several letters of comment. Suddenly, the correspondence was a regular back-and-forth, and as my letters got longer, so did his. Some of Steve’s letters were 10, 12, or even 16 pages long.  Continue reading “Steve Ditko: Inside His Studio Sanctum Sanctorum”