Tag: Starman

With Further Ado #189: Star Light, Star Bright

With Further Ado #189: Star Light, Star Bright

There’s something special about writing and documenting comics history.  Part of it is celebrating cherished things, part is speaking with favorite creators, and yet another part of it is just starting a conversation amongst fans.

Back Issue Magazine, published by TwoMorrows, is one of those magazines that I both love and dread. I love reading it, and contributing articles to it, but, if I am truthful, I kind of dread it because I always find every article so compelling. I find I’ve got to carve out big chunks of time to read it.

But hey, if that’s my worst problem life isn’t so bad, right?

Here’s an opening excerpt of my latest article, focusing on one of DC’s many Starmen characters.  It was a kick to research and write, and here you’ll even see insights from fellow Pop Culture Squad columnist Mike Gold in this excerpt (and more in the full article).

Bright star, would I were steadfast as thou art — John Keats

Imagine creating a comic hero with a proud historical name, the everyman quality of Marvel Comics and a unique fresh setting. It seems like a foolproof recipe for success. Instead, like a competent athlete overshadowed by a younger brother’s extraordinary success, the 1988 Starman’s fame was eclipsed. He would be relegated to the bargain boxes at the local comic shop and occasional guest appearances.

But there was something wonderful and bright and optimistic about this 1988 Starman series. Like a glance up into a sky full of stars on a summer night, this comic was full of hope, wonder and potential.

Another Star Is Born

While the name Starman has a long history, this incarnation of Starman was meant to be something new and different.   In the first issue, editor Bob Greenberger provided two text pieces. “Star Light, Star Bright, Fourth Star I See Tonight” explained the history of the various Starmen who preceded this character.  The second text piece, “The Rebirth of Starman” ran on the inside back cover (!) and detailed how Mike Gold challenged him to create a hero from an existing name.

“The retailers didn’t want to bet on the same thing,” said Gold. “They wanted to give something new a try.”

As Greenberg recounted, creating a new Hourman was of interest, but that name was already in use in Infinity, Inc.  And so, they moved on to Starman.  The company-wide Invasion series was also being planned, and there were natural synergies that could be leveraged with Starman. Greenberg also detailed how he recruited writer Roger Stern and artist Tom Lyle.

The first issue got things rolling along quickly. Readers are introduced to a hiker who is found in the wilderness. It’s all very mysterious and creepy.  Soon the hiker, Will Payton, is on the run from the authorities, discovers his powers, and tries to sort it all out.

His saving grace, in his evolution to becoming a superhero, is his sister Jayne. She’s what we would today call a Fangirl. Jayne has a deep knowledge of how superheroes operate and has the skills to design his costume.

Ed Konecny of Comics, Etc. has fond memories of the character. “Unlike most characters at the time, there was no direct lineage to the last generation of hero,” said Konecny. “Ted Knight (the original Starman) had long since been obscured by the Crisis events. Golden age characters had lost their appeal and the rise of characters of “true grit”. Amongst the strangeness of the late eighties, a story about a lone hiker being found within a circle charred into the ground, and without a mark on him, smacked of aliens and the title Starman was still fresh from Jeff Bridges attempt to bring a character of the same name.”

For more on this Starman, and so many other Starmen, grab a copy of Back Issue #133, on sale now at finer comic shops.  You can also buy it directly from TwoMorrows. Tell them Ed sent ya.

Brainiac On Banjo #084: Me See DeeCee TeeVee

Brainiac On Banjo #084: Me See DeeCee TeeVee

Sweet Little Sixteen / She’s got the grown up blues / Tight dress and lipstick / She’s sportin’ high heal shoes / Oh, but tomorrow morning / She’ll have to change her trend / And be sweet sixteen / And back in class again. – Chuck Berry, Sweet Little Sixteen, 1958.

It seems that almost everybody is using their confinement to catch up on all kinds of television — mostly streaming or DVRed (that’s a verb now, right?). So, lapsing back into my traditional role as August Contrarian, I’ve decided to do a little catch-up on my book reading. Right now I’m about two-thirds of the way through Meyer Levin’s The Old Bunch, written in 1937. That’s only 35 years longer than I’ve had it on my shelf. As Brian Wilson and Mike Love said, I get around. Eventually.

But mopery is a force of my nature, so I have been watching a bit of teevee. Besides, I’ve never gotten a paper cut from watching television. I’ve been watching Stargirl, the latest presentation from Warner Bros.’ DC Comics think tank. The former goes up on both the DCUniverse streamer and The CW this coming week. Pop Culture Squad HBIC Adriane Nash (that’s what it says on her business card) and I had the privilege of watching the first three episodes of Stargirl, and my comments that follow come from the totality of this experience. Spoiler Alert: There really aren’t any spoilers here. Sorry.

Let it be said that I am a Justice Society fan — certainly the original creation, as well as most of its subsequent reincarnations. The JSA was the thing to collect when I was Li’l Fanboy, along with EC Comics, Carl Barks and The Spirit, and I remain a big fan of all four. Indeed, I now get nostalgic for nostalgia.

Stargirl is based upon the 1999 title Stars and S.T.R.I.P.E.S. by Geoff Johns, Lee Moder and Dan Davis, with James Robinson riding shotgun on the first issue, which was #0. Yes, the comics racket remains mathematically challenged. The series lasted 15 issues, ending with #14 (reread the previous two sentences), and it was a conflation of the original Star-Spangled Kid, Starman(s), and various versions of the JSA as well as the JSA’s lame doppelgänger, The Seven Soldiers of Victory. A cute teenager discovers Starman’s cosmic belt as she discovers her step-father was the Star-Spangled Kid’s sidekick, Stripesy. Like all smart, precocious comic book teen-age characters, she wants to become a costumed superhero. Stripesy, being her dad, is not keen on the idea but seeing as how he’s got a huge Transformers-wannabe robot suit gathering dust in the garage, he supervises his stepdaughter while on the fly.

I loved the series. I was annoyed it got shitcanned after 15 issues… the last being #14, remember? I’m a jaded old fart — that goes hand-in-hand with being an August Contrarian — and I think Geoff did a wonderful job bringing teen-age angst into the story in a fashion that makes the reader root for the kid while still sympathizing with the concerns of her parents.

So I was quite pleased that the greater Warner Bros. empire chose Stargirl as the newest wing in the DCU mansion, but I was a hell of a lot more pleased that Geoff Johns created the teevee series, is writing it, and is an executive producer. That’s pretty damn rare; off-hand, I can’t recall that happening since The Many Loves of Dobie Gillis, a show so ancient that some readers might need to IMBD it. Television scripts always go through a lot of hands and by the time it’s being filmed it’s got more notes than Gustav Mahler’s Symphony No. 3. Remarkably and to its credit, the shows I saw still maintain the feeling of Johns’ work, as well as his story.

I’m not letting any cats out of my collection of trick bags when I say that JSA fans of all… stripes… likely will enjoy the hell out of the third episode. It pleased my Li’l Fanboy heart to no end.

Like all DCU-CW series (and now, post-Crisis, much of the rest of their sundry media universes), Stargirl is fraught with continuity possibilities. I’m not saying she’ll show up in the next big-ass crossover, and I doubt the Powers That Be will let Stargirl get too close to John Constantine. That’s reasonable, but if Geoff wants to consider that a challenge, hey, who am I to pour cold water on a jail bait story?

I do have one question. If you’ve read any new Superman family stories over the past few years, you’ve seen the legend “Created by Jerry Siegel and Joe Shuster. By special arrangement with the Jerry Siegel family.” The creator credit also appears on the Supergirl CW show as well as other media derived from The Man of Steel. This was part of the end result of about 70 years of legal wrangling, and all accurate creator credits are well-deserved. Jerry Siegel also created the Star-Spangled Kid and Stripesy. Shouldn’t there be a creator credit for Jerry as well?

Yeah, I know. But I’ll ask again when Steve Amell returns as The Spectre.