It’s the show mom and dad told me I couldn’t stay up to see until I was old enough; so of course I snuck downstairs to see it before it was allowed. It’s one of the few shows that remained appointment television when I got my first DVR. It’s a show that has remained firmly entrenched in the zeitgeist since its inception. Even when it was bad? It gave us Eddie Murphy. It’s spurned movie and TV careers for literally dozens of its long cast list. Live from New York… It’s Saturday Night Live.
For many, whatever season(s) they caught first tend to set the bar of future expectations of quality and hilarity. For me personally, I became a fan somewhere towards the end of the ’95 season. This meant I missed Dana Carvey by a year, but got to see the end of Mike Myers, Adam Sandler and Chris Farley’s tenure. The very next season we got a fresh-faced set funny people: Will Ferrell, Darrell Hammond, Cheri Oteri, and Molly Shannon (to name a few).
While most will agree that SNL itself ebbs and flows in quality — as casts learn to play off one another, writers get into a groove, and current events offer unique opportunities to capture the zeitgeist — the show by and large has become an institution unto itself. Not unlike the brainchild of Vince McMahon (the WWE), Lorne Michael’s not ready for primetime players has grown in stature and expectation such that it may live long after it’s impossibly driven creator should ever choose to retire. And make no bones about it. I personally believe Lorne and Vince will die while still maintaining duties in their respective kingdoms. But I digress. Continue reading ““So Long and Thanks for the Fish, Man” #048: “Saturday Night Lived””