Tag: Rick Obadiah

Brainiac On Banjo: “What Fools These Mortals Be!”

Brainiac On Banjo: “What Fools These Mortals Be!”

“They hurt you at home and they hit you at school. They hate you if you’re clever and they despise a fool ’til you’re so fucking crazy you can’t follow their rules.” From Working Class Hero, written by John Lennon.

I am not a fan of corporate bureaucracy. It is always counter-productive. It is the enemy of creativity and productivity. Sadly, it also is as predictable as a coal miner’s cough.

There are few folks operating in the comics racket more deserving of praise and acknowledgement than Mike Richardson, co-founder and publisher, until last week, of Dark Horse Comics. He was publisher for FORTY years, which might very well be the American record. Marvel/Timely/Atlas founder Martin Goodman held his gig for only a third of a century, and whereas Bill Gaines was the publisher at EC Comics and Mad Magazine for forty-five years. I’ll leave it to those with an attention span longer than mine to determine if that makes him the longest-lived comic book publisher or just a magazine publisher with a bottomless sense of humor and a terrific appreciation of line art.

A whole slew of us started making and distributing new comic books back in the early 1980s — a time when there was Marvel and DC and Archie and Paragon… and damn little else. Great old stalwarts such as Gold Key (Whitman), Harvey and Charlton already had gone blooie at least once or, if extant, were coughing up blood. But back then the comic book store had become a real thing and publishers, old and new, could sell their wares directly to those outlets without having to take returns on unsold copies. DC Comics’ honcho Paul Levitz once stated that you’d have to be a fool to screw that up. Continue reading “Brainiac On Banjo: “What Fools These Mortals Be!”” →

Brainiac On Banjo: The ComiXology Kamikaze

Brainiac On Banjo: The ComiXology Kamikaze

When I look over my shoulder, what do you think I see? Some other cat looking over his shoulder at me. And he’s strange, sure is strange. – Donovan Leitch, “Season of the Witch.”

When it comes to the digital world, sometimes all those zeroes and ones just don’t add up. Let’s look at ComiXology, what I once considered to be a genuine revolutionary force in the medium.

In the history of paper publishing going all the way back to papyrus, it’s often been a crappy way to make a living. Oh, sure, some folks have been enormously successful, but on the same hand some folks win the lottery. Expenses are high and nobody knows what the market wants. Paper is getting hard to find (soon we will have to make a choice between having paper and having oxygen and trees), and places to buy the finished product have run thin. “Book browsing” and impulse purchases have become 21st Century rotary dial telephones.

We needed an alternative way to get comics. In 1981, Marvel Comics published Dazzler #1 and made it available only to the then-growing number of dedicated comic book stores, and that showed us there just might be life after the newsstands and candy shops. To make a long story short, around that same time I turned to theatrical producer Rick Obadiah and said “hey, you know, we could do this.” And that’s the shortest origin story for First Comics ever told.

Things went pretty well until the overwhelming number of distributors bellied up after exclusive distribution deals kicked in. As those distributors were coughing up blood, the “smaller publishers” (meaning just about everybody except Marvel and DC) started getting paid late, if at all. Again, I’m making a very long story short. Continue reading “Brainiac On Banjo: The ComiXology Kamikaze” →