Note: This is a SPOILER-FREE column that celebrates Spider-Man: Intro the Spider-Verse
This past weekend I took my son (in conjunction with my brother-from-another-mother taking his son who is my son’s bff… you dig?) to see Spider-Man: Into the Spider-Verse. It was, to sum up succinctly, all the things. It was a visual spectacle. It was deeply diverse in the on-screen cast. It was kinetic in its action sequences. It was heavy on emotional growth. It was a nearly perfect example of what a comic book film could truly be.
As comic book films have grown from niche to the mainstream, my fear has been a dulling of the medium in the macro. Look only to the house of Mouse and Marvel’s 4 phase plan that started with plucky films like Iron Man and period-pieces like Captain America: The First Avenger, all leading to the beautifully bloated Avengers: Infinity War — which itself relies on the eighteen feeder films before it. And with Spider-Man specifically… the Spider-Verse would be (to a degree) the fourth version of the brand in less than 16 years.
But my fears scattered like Thanos-born ashes mere seconds after the glitchy-twitchy introduction of Spider-Verse’s mix-n-match animated style. Brilliantly bright colors build a stylized version of New York that took 180 animators to build. And it absolutely shows. Each of the varied Spider-People that eventually populate the film are rendered hilariously in homage to the worlds that they hail from. Be it the Manga-inspired Peni Parker being animated within the confines of an anime-palette, or Nic Cage’s turn as the monochromatic Spider-Man Noir… there’s a serendipitous presentation here that boasts to the millennial set that style is only surface-deep. And that plays heavily into the story. Continue reading “So Long and Thanks for the Fish, Man #019: Into the Fishmanverse”
In this column, we make a quick trip through this weeks pull-list. It features mostly spoiler-free brief analysis and commentary of each book.
There is a 4 star rating system. It is simple and not to be taken too seriously as everyone gets their own impressions of art. These ratings are just to give our readers an idea of what we thought of the book, and they will be on the generous side normally. So don’t expect to see a lot of 1 Stars. After all, its not often that you have a bad book on your pull-list.
The rating system is as follows: