Tag: Overstreet Comic Book Price Guide

With Further Ado #179: Five and a Half Questions With J.C. Vaughn

With Further Ado #179: Five and a Half Questions With J.C. Vaughn

J.C. Vaughn had a busy year – but every year is busy for him. You might know him from The Overstreet Comic Book Price Guide, Gemstone’s The Scoop, all the very best comic conventions (when we have them), or maybe even his comic book work. Ooops!  I almost forgot: he’s now a published mystery writer too.

I wanted to catch up with J.C. about a very cool upcoming project: The Overstreet Comic Book Price Guide to Lost Universes. It’s more than just a price guide. It’s almost a passport to all your favorite comic universes.  I caught up with him and this is what he had to say:

 

Question 1: What a great idea! How’d you come up with this concept?

J.C. Vaughn:  There were four main things that went into the concept. First, we’re always looking for ways to build on the incredible foundation Bob Overstreet and Steve Geppi have given us through their combined fifty-one years of ownership of The Overstreet Comic Book Price Guide thus far.

Second, for whatever reason, I’m completely intrigued by the topic, which started when I got my first Atlas-Seaboard comics (Ironjaw #1 and #4) in 1976.

Third, I put a good bit of effort into helping out on a DEFIANT fanzine and spent a fair amount of time online in groups for the original Valiant, Marvel’s New Universe, and Malibu’s Ultraverse. I think these are small but hardcore, under-served groups of passionate collectors.

Fourth, with all the record prices being paid for many comics, suddenly these affordable and mostly accessible comics in finite sets are very appealing to collectors who might otherwise be priced out of the market. Put all that together, and you get The Overstreet Comic Book Price Guide To Lost Universes. I think the fact that this book is also a Photo-Journal as well as a price guide means that collectors and dealers will be using it well beyond the shelf-life of its pricing information.

Question 2: What was the first “lost universe” you were most eager to research?

JCV: I’m relatively crazy for Atlas-Seaboard and have subjected most of my close friends and associates to it for years. I’ve been researching it for years. Discovering that other people shared my curiosity for it only made it worse. I’m also pretty fond of DEFIANT, since they introduced me to Bob and Carol Overstreet, but every one of the companies or imprints we covered has devoted fans, people who love the comics they produced.

Question 3: Do you feel, especially with the recent Marvel movies, that the general public understands the notion of interconnected series better than they have in the past?

JCV: It’s not as if Star Wars, Star Trek, and other franchises hadn’t introduced the concept to pop culture fans and the culture as a whole, but perhaps we could point to tighter continuity being an element significantly furthered by the Marvel films in particular. I think their financial success has certainly made the culture as a whole more aware of and more accepting of our characters, and they now have a great understanding that comic books are the source material for so much.

Question 4: Were there any lost universes that you almost forgot, but included at the last minute?

JCV: Not really because the list is still growing, and we’re already working on the second edition!

Question 5: What Lost Universe didn’t make the cut?

JCV: The only things that didn’t/won’t make the cut are things that aren’t universes. For instance, I love DEFIANT, but Broadway, which followed – and which had some wonderful comics – doesn’t seem like it was a single universe.

As far as things not being in this first edition, without a doubt this is NOT because they didn’t make the cut, but because they will be in the second edition. At 640, full-color pages, there was only so much room in the first one. The second one will include Fawcett’s Marvel Family, Timothy Truman’s Scout mini-universe at Eclipse, Marvel 2099 and Ultimate Marvel, and several others, so again we’ll be covering the Golden Age to the recent past.

And I’m sort of sketching out Volume 3 at this point, as well. More to come.

Question 5 and a Half: If you could resurrect any one lost universe, which one would it be? And why?

JCV: This is a bit like my favorite Beatles song. I could give you an emphatic answer, and then ten minutes later give you a completely different, equally emphatic answer.

EC: Thanks J.C.! We’ll let it be. Good luck with the book!


The book will be available on February 16, 2022, and can be pre-ordered on Gemstone Publishing’s website.

The Overstreet Comic Book Price Guide to Lost Universes
By Robert M. Overstreet, J.C. Vaughn & Scott Braden

The highly collectible world of lost universes gets a brand-new specially focused, full-color edition of The Overstreet Comic Book Price Guide that also serves as a Photo-Journal of all the comics featured. From in-depth looks at the original Milestone and Valiant to Tower’s T.H.U.N.D.E.R. Agents and Charlton’s superheroes, and from Topps’ Kirbyverse and the MLJ/Archie heroes to Malibu’s Ultraverse and Marvel’s New Universe, this full-color book dives deep into Atlas-Seaboard, Comics Greatest World, Continuity, Defiant, Future Comics, Triumphant and more. Not only is packed with images and prices, but it also includes creator and collector interviews and insights.

With Further Ado #115: Overstreet and the Hero Initiative

With Further Ado #115: Overstreet and the Hero Initiative

I’ve often said that The Overstreet Comic Book Price Guide is more than just a much-anticipated book release with a bunch of back issue prices. It’s really an annual book release wrapped up as a pop culture celebration. Every year, collectors look forward to the new edition and opine on which cover – Gemstone Publishing releases many cover options each year – is their favorite.

But there’s another tradition within this tradition- a special charitable tradition that’s been going on for a decade. I caught up with Gemstone’s J.C. Vaughn, Gemstone’s V.P. of Publishing, to get the skinny!


 EC: Can you explain to me exactly what these Hero Initiative Editions are and how they work?

 JCV: Each year, beginning with The Overstreet Comic Book Price Guide #40 in 2010, we produce a limited, hardcover-only edition of 500 copies of the Guide exclusively for the Hero Initiative, always with covers by top artists. Hero and their affiliates are the only source for these books. Gemstone Publishing does not sell them, and as a matter of fact, we don’t take a penny for them, and neither do our printers. All of the proceeds go to the Hero Initiative. Continue reading “With Further Ado #115: Overstreet and the Hero Initiative”

With Further Ado #113: The History of Comics in 3 Easy Steps

Well, if this column’s title doesn’t win the award for “Overpromise of the Year”, I don’t know what will. But the truth of the matter is that from anyone’s own personal vantage point, we are all able to see the broad scope and history of this unique medium on any given trip to the comic store.

That’s certainly not the same for other arts. You can’t envision the history of cinema during a trip to your local movie theater. (Let’s assume that we all will be able to go to the movies again soon.). You can’t get a sense of the broad scope of music at one live concert.  One might even argue that on any trip to a library, you can’t really get a sense of the history of publishing or of books.

But comics are different. The old and the new, the nostalgic and the cutting edge, all exist shoulder-to-shoulder at any comic shop or comic convention. (Again, let’s look forward to the time when we can all attend conventions again.)

Step One: New Fun

DC Comics just published a reprint of their very first comic: New Fun Comics #1.

My colleague Mike Gold wrote about this fascinating new book here.  It’s an oversize reproduction of the 1935 issue that would become DC Comics’ first comic.  It’s great fun and a virtual time machine you can hold in your hands. Continue reading “With Further Ado #113: The History of Comics in 3 Easy Steps”

With Further Ado #111: Let This Be Your Guide

With Further Ado #111: Let This Be Your Guide

Just like with sports or politics, there are many anticipated milestones throughout the year in Geek Culture.  As kid in the late ’60s and ’70s, I knew that summer meant over-sized Annuals and the Justice League & Justice Society of America team-up.

Before Covid-19 interrupted every aspect of business and culture, there was a rhythm to the convention season, kicking off in spring with shows like Emerald City Comic Con and C2E2, reaching a summertime crescendo with Comic-Con International in San Diego, and then celebrating one last burst with New York Comic Con in the fall before a handful of smaller regional conventions.

One highly anticipated tradition that’s been around for fifty years is the Overstreet Comic Book Price Guide.  Ostensibly, the place to turn for authoritative price documentation on comics, it’s morphed into a scholarly celebration of all domestic comics, an exploration of retailing trends, the last word in listings, a showcase for top artists and a validation for nerds everywhere.

Defying Covid’s grasp, the Overstreet Guide has delivered again.

Got it Covered

Each year, the Guide invites a top artist to contribute illustrations.  Back when I was a kid, we were enthralled with 1976’s Overstreet #4 with the Justice Society heroes on a cover. (All-Star Comics, home of the JSA, was revered in those days). We also loved the Joe Kubert Tarzan cover and the Will Eisner Spirit of ‘76 cover.  I remember laughing with our local comic shop owner, Kim Draheim, how Overstreet #7, spotlighting Porky Pig, missed the mark.  And Bill Ward’s Torchy cover on Overstreet #8 forced that year’s volume into the hide-it-from-your-mother category.

This year again offers top artists contributing cool covers featuring big properties.  This year fans can choose from:

 

  1. Spider-Man and Spawn sharing a cover by Todd McFarlane
  2. The Valiant heroes by John K. Snyder III
  3. Wynonna Earp by Chris Evanhuis
  4. The Defenders by one of my favorite artists, Kevin Nowlan

Continue reading “With Further Ado #111: Let This Be Your Guide”

With Further Ado #101: Books for the Beach, Summer Reading

With Further Ado #101: Books for the Beach, Summer Reading

Although I’ve reverted back to being a “Lake Guy” rather than an “Ocean Guy”, after 25+ years sunning myself at the Jersey Shore, I still just love burying my nose in a book on the beach. What could be better?  Here’s a few of my recent favorites:

 

The Fantastic Paintings of Frazetta
By J. David Spurlock
Vanguard Press
Trade HC ISBN13: 9781934331811  $39.95 • 120 pgs
DX LE ISBN13: 9781934331828  $69.95 • 138 pgs plus slipcase

There’s something about paintings and summertime that seem to go together. Is it true that we have more time during the summer and can enjoy art more leisurely?  I always tell myself that. But then again, I always tell myself that an occasional dessert won’t ruin my diet.

Vanguard’s new Frazetta book presents his “greatest hits”, and a few rare ones, in a spectacular format.  They are big and bold, and writer J. David Spurlock provides a virtual cornucopia full of backstories and the behind-the-scenes tales.  It’s a great way for long-time fans to celebrate a favorite or for new fans to get to know a unique American artist.

Continue reading “With Further Ado #101: Books for the Beach, Summer Reading”