Tag: Neal Adams

Continued After the Next Page #009: Conversation with John Workman – An Oral History of Comics

Last summer, as we were getting this site up and going, one of the first things that I did was reach out to legendary comic letterer and artist John Workman. I had met him at a couple of conventions in the past, and he had told me some interesting stories about how comics were made in the 1970’s and 1980’s. I felt that the stories were amazing insights into the world of comic making, and I wanted to get all the details so that we could share those incredible stories with all of you.

My intent for our initial interview was to clarify some details he had told me about making Thor in the 80’s with Walter Simonson. What ended up happening was an almost two-hour conversation and a truly life changing event for me. I clipped out a little bit of our conversation for a column last year called When Thor Road the Bus.

Before I get too far along, I must say that John Workman is one of the nicest people that I have ever met. He is thoughtful, considerate, inquisitive, and incredibly talented. Since our initial phone conversation, John and I have spoken a couple of more times over the phone, and my wife and I spent a lovely afternoon with John and his wife Cathy at their home last November. He has become a regular email pen pal of mine. I consider John a friend, and I am lucky for it.

The purpose of this article is to share with the world some of the amazing things that we spoke about. The topics range from the page counts for comics in the 70’s to his time at Heavy Metal. There are some funny stories about Harlan Ellison and Wally Wood. There is the tale of the “Lost Mignola Batman Story”, and much more. So hang on and I will try my best to navigate all this history and bring it into the world so that we can all share in its wonder.

Jeannette Kahn and Dollar Comics

I had mentioned to John that the title to my column on PCS would be called “Continued After the Next Page” as a throwback to comic days of yesteryear. He broke out into some pretty cool comics production history.

John Workman: I worked at DC from 1975 to 1977 before I went to work at Heavy Metal. During that time, as had been true since the early 1950s, there were thirty-six pages [thirty- two interior and four for the front and back covers] in a regular comic book. Of those pages, somewhere over 20 (27 in the ’60s) were devoted to actual comics material with the rest being made up of a combination of paid ads and “house ads” that let readers know about other DC publications. Shortly after I arrived at DC, the number of comics pages dropped to seventeen, and I remember two things that we had to do. We [the production department] had to white-out all the pages numbers down in the corner so people would be a little less aware that they were only getting seventeen pages of comics, and we had to go in a lot and put in “Continued After Next” or “Second Page” or whatever, because the seventeen pages of comic material was broken up by more ads. There were a lot of in-house ads to fill out the issue because seventeen pages was only one more than the total number of pages in a book.

I was shocked at this and felt the need to clarify Continue reading “Continued After the Next Page #009: Conversation with John Workman – An Oral History of Comics”

Brainiac On Banjo #031: The Joker’s On Us

Brainiac On Banjo #031: The Joker’s On Us

Alex Ross

This Wednesday, DC Comics will be releasing the landmark 1000th issue of the longest-running comic book published in America, Detective Comics. Yup, if you look the word “landmark” in the dictionary, you’ll see a picture of Alex Ross’s variant cover.

Go ahead. Check it out.

I’m a fan of Alex’s, both his work and his own self. But I really like this cover not only because it is a true tribute to Batman, who (not-coincidentally) turns 80 this week, but because it doesn’t have The Joker on it.

Michael Cho

Now, trust me on this one too: the real reason Detective Comics #1000 is called #1000 is not because of its linear numbering. It’s because there are 1000 different variant covers. Hey, kids! Collect them all!

No. Don’t bother. I’m sure DC will release a hardcover reprinting them. And I’m pretty sure I’ll buy it. But this week I am not ranting about the crisis of infinite variants, but, knowing me I probably will in the future.

Uh-uh. This week I’m ranting about The Joker. Continue reading “Brainiac On Banjo #031: The Joker’s On Us”

Brainiac On Banjo #008: Fake Covers

Brainiac On Banjo #008: Fake Covers

Every several years I find a brand-new way to enunciate my firm belief that in order to sell more comic books, publishers should seek to produce better comic book stories and take their feet off of the stunt pedal. Well, it’s time once again to play that great all-American game, To Sell The Truth!

If you are in the habit of memorizing every word I have ever written (please stop that; you’ll hurt yourself!), doubtlessly you recall my ragging on and on about the stunt covers of the mid-1990s. Foil covers, bagged comics, holographic covers, 3D leather embossed covers… a whole lotta gimmicks were in vogue, each for nanoseconds. At least lenticular covers did some good – they taught a lot of people the meaning of the word “lenticular.”  Continue reading “Brainiac On Banjo #008: Fake Covers”