Tag: movie review

So Long and Thanks for the Fish, Man #043: Top Gun Is Why We Can’t Have Nice Things

So Long and Thanks for the Fish, Man #043: Top Gun Is Why We Can’t Have Nice Things

Warning: the following article is about a piece of old pop culture that I have only recently absorbed for the first time. As such, much of this article will find you asking yourself “Wait, seriously, he’s never seen Top Gun before now?” and I’m making it clear from the get go:

I literally watched Top Gun for the first time, ever, a few days ago.

And I did it because, I kid you not, a would-be investor in Unshaven Comics outright refused to even be pitched to until I did. To be clear: it’s not that I wasn’t familiar with the movie. But when the movie came out, I was 5 years old. My family didn’t go to the movies, and I was never much into military stuff (Like G.I. Joe and the like). I knew Tom Cruise and Val Kilmer were in it. I know the soundtrack was Loggins heavy. And I recalled once asking Unshaven Kyle about the climax of the movie (when it happened to be on in our apartment at the time) and he told me “eh, the whole movie is just about fancy maneuvers.” Continue reading “So Long and Thanks for the Fish, Man #043: Top Gun Is Why We Can’t Have Nice Things”

So Long and Thanks for the Fish, Man #019: Into the Fishmanverse

So Long and Thanks for the Fish, Man #019: Into the Fishmanverse

Note: This is a SPOILER-FREE column that celebrates Spider-Man: Intro the Spider-Verse

This past weekend I took my son (in conjunction with my brother-from-another-mother taking his son who is my son’s bff… you dig?) to see Spider-Man: Into the Spider-Verse. It was, to sum up succinctly, all the things. It was a visual spectacle. It was deeply diverse in the on-screen cast. It was kinetic in its action sequences. It was heavy on emotional growth. It was a nearly perfect example of what a comic book film could truly be.

As comic book films have grown from niche to the mainstream, my fear has been a dulling of the medium in the macro. Look only to the house of Mouse and Marvel’s 4 phase plan that started with plucky films like Iron Man and period-pieces like Captain America: The First Avenger, all leading to the beautifully bloated Avengers: Infinity War — which itself relies on the eighteen feeder films before it. And with Spider-Man specifically… the Spider-Verse would be (to a degree) the fourth version of the brand in less than 16 years.

But my fears scattered like Thanos-born ashes mere seconds after the glitchy-twitchy introduction of Spider-Verse’s mix-n-match animated style. Brilliantly bright colors build a stylized version of New York that took 180 animators to build. And it absolutely shows. Each of the varied Spider-People that eventually populate the film are rendered hilariously in homage to the worlds that they hail from. Be it the Manga-inspired Peni Parker being animated within the confines of an anime-palette, or Nic Cage’s turn as the monochromatic Spider-Man Noir… there’s a serendipitous presentation here that boasts to the millennial set that style is only surface-deep. And that plays heavily into the story.  Continue reading “So Long and Thanks for the Fish, Man #019: Into the Fishmanverse”

Beat JENeration #003: Crazy About Crazy Rich Asians

Beat JENeration #003: Crazy About Crazy Rich Asians

It had been my intention to write this week’s column about how Christopher Robin had my teenage daughters sobbing for hours, but then we saw Crazy Rich Asians on Wednesday night and well, it’s all I can think about. It is, and I do not say this lightly, the best studio movie you will probably see in 2018.

Better than Black Panther, you say? Um, yes, I will say that — though I’m speaking to that specific audience base who is equally passionate about MCU offerings and Rom Coms. You know, MY PEOPLE!   Continue reading “Beat JENeration #003: Crazy About Crazy Rich Asians”