Tag: MIKE MIGNOLA

With Further Ado #86: Interview with Joel Meadows of Tripwire Magazine

With Further Ado #86: Interview with Joel Meadows of Tripwire Magazine

Tripwire was one of those magazines about comics that always made you feel smarter after you read it. Or maybe that conversion happened right when you bought it. It was a gorgeous magazine and always looked smart too.   I’m excited to say that Joel Meadows, the man behind Tripwire, is at it again and Tripwire is returning. I had a lot of questions for Joel, and he had a lot of thoughtful answers.

Ed Catto: The news that Tripwire is returning is just fantastic, Joel. But first, can you tell me, or remind me, how it all started?

Joel Meadows: Tripwire began way back in March 1992 – or actually it began the previous year. We published one issue of a magazine we called The Review, which was a very basic fanzine that I did with someone I went to school with. We printed about 100 copies, but it was fun to do. So, we came up with Tripwire in February 1992 and published our first issue in March 1992. At that point, I was doing it with a neighbour of mine and someone I went to sixth form college with. We launched the same weekend as Vertigo.

EC: I loved those Tripwire issues. In your opinion, what made it special and unique among all the Geek Culture magazines?

JM: When it started, we were a lot more sarcastic and a lot more irreverent towards our material. I was only nineteen when it began, and I learned a hell of a lot as we continued to publish issues. We had a very British attitude to our material, which initially was comics and music, but we dropped the music and replaced it with film and TV in 1999. We were prepared to take chances, and we were the first place to cover the Vertigo creators, like Grant Morrison, Mark Millar, Peter Milligan, and Frank Quitely. I was a big fan of former UK magazine Speakeasy, and I think that had a big influence on me when it came to Tripwire. Continue reading “With Further Ado #86: Interview with Joel Meadows of Tripwire Magazine”

Continued After the Next Page #009: Conversation with John Workman – An Oral History of Comics

Last summer, as we were getting this site up and going, one of the first things that I did was reach out to legendary comic letterer and artist John Workman. I had met him at a couple of conventions in the past, and he had told me some interesting stories about how comics were made in the 1970’s and 1980’s. I felt that the stories were amazing insights into the world of comic making, and I wanted to get all the details so that we could share those incredible stories with all of you.

My intent for our initial interview was to clarify some details he had told me about making Thor in the 80’s with Walter Simonson. What ended up happening was an almost two-hour conversation and a truly life changing event for me. I clipped out a little bit of our conversation for a column last year called When Thor Road the Bus.

Before I get too far along, I must say that John Workman is one of the nicest people that I have ever met. He is thoughtful, considerate, inquisitive, and incredibly talented. Since our initial phone conversation, John and I have spoken a couple of more times over the phone, and my wife and I spent a lovely afternoon with John and his wife Cathy at their home last November. He has become a regular email pen pal of mine. I consider John a friend, and I am lucky for it.

The purpose of this article is to share with the world some of the amazing things that we spoke about. The topics range from the page counts for comics in the 70’s to his time at Heavy Metal. There are some funny stories about Harlan Ellison and Wally Wood. There is the tale of the “Lost Mignola Batman Story”, and much more. So hang on and I will try my best to navigate all this history and bring it into the world so that we can all share in its wonder.

Jeannette Kahn and Dollar Comics

I had mentioned to John that the title to my column on PCS would be called “Continued After the Next Page” as a throwback to comic days of yesteryear. He broke out into some pretty cool comics production history.

John Workman: I worked at DC from 1975 to 1977 before I went to work at Heavy Metal. During that time, as had been true since the early 1950s, there were thirty-six pages [thirty- two interior and four for the front and back covers] in a regular comic book. Of those pages, somewhere over 20 (27 in the ’60s) were devoted to actual comics material with the rest being made up of a combination of paid ads and “house ads” that let readers know about other DC publications. Shortly after I arrived at DC, the number of comics pages dropped to seventeen, and I remember two things that we had to do. We [the production department] had to white-out all the pages numbers down in the corner so people would be a little less aware that they were only getting seventeen pages of comics, and we had to go in a lot and put in “Continued After Next” or “Second Page” or whatever, because the seventeen pages of comic material was broken up by more ads. There were a lot of in-house ads to fill out the issue because seventeen pages was only one more than the total number of pages in a book.

I was shocked at this and felt the need to clarify Continue reading “Continued After the Next Page #009: Conversation with John Workman – An Oral History of Comics”