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Dwayne McDuffie Award for Diversity in Comics Is Now Accepting Submissions

Dwayne McDuffie Award for Diversity in Comics Is Now Accepting Submissions

Posted on by Bob Harrison

The annual submission process for The Dwayne McDuffie Award for Diversity in Comics in now in full effect. The below press release give all the details about the award and the judges for the submissions.  This is an important award that celebrates diversity in comics in the name of a pioneer in realizing representation in comic books in print and in the creator sphere.

Press Release:

Submissions open for the 8th Annual DWAYNE McDUFFIE AWARD FOR DIVERSITY IN COMICS

August 8, 2023 –  The DWAYNE McDUFFIE AWARD for DIVERSITY in COMICS is now receiving submissions at dwaynemcduffie.com for this 8th annual prestigious prize. All comics produced in the United States during calendar year 2022—whether professional or personal, in print or on the web—are invited to compete. The deadline for entries is September 30, 2023.

The slogan of the Dwayne McDuffie Award for Diversity in Comics comes from Mr. McDuffie’s own profound, succinct words:

“From invisible to inevitable.”
– Dwayne McDuffie

The 2022 Selection Committee—led by comics’ industry legend, Marv Wolfman— includes two new judges: Nilah Magruder, winner of the 1st Dwayne McDuffie Award for Diversity in Comics, and Eric Wallace, writer of the award-winning Mr. Terrific for DC Comics, among his numerous other creative works.

Quote from Nilah Magruder:

“I’m thrilled to join the judging committee for this year’s Dwayne McDuffie Awards and be a part of elevating underrepresented voices in comics. Being recognized and meeting so many of Dwayne’s friends and colleagues was a huge moment in my career. I’m happy to be a part of bestowing that honor on more creators.”

Quote from Eric Wallace:

“A storytelling pioneer in everything he did, Dwayne understood the importance of recognizing and supporting inclusive excellence in the arts. He was also a mentor and friend to me whose guidance and advice was invaluable when I first started writing comic books. Today the DMADs continue (Dwayne’s mission) by spotlighting brilliant contemporary talents, and I’m honored to be a small part of this incredible tradition.”

Quote from DMAD Director, Will J. Watkins:

“One of the many things I loved about Dwayne was that he understood having diversity without inclusivity is meaningless. Whether it was through his writing or his relationships with people, he was determined to create spaces where every human being could feel equal and valued, not just represented. At a time when many are attempting to quiet the voices of the excluded and denied, this award is 2 shouting from the rooftops that everyone deserves a seat at the table… and while at that table, their voices must be welcomed.”

Quote from Dwayne’s widow, Charlotte (Fullerton) McDuffie:

“I couldn’t be more pleased that by now, year 8, this award in my late husband’s name has already long-since earned a stellar reputation for highlighting excellence and inclusiveness on the page and behind the scenes; for bringing yet-to-be-discovered writers and artists to industry-wide attention; and attracted such impressive talents as our past nominees and winners, all of whom have gone on to continue creating outstanding work that would make Dwayne proud.”

The 2022 winner will be announced December 1, 2023 in a virtual awards’ ceremony presided over by returning MC, actor Phil LaMarr, who voiced both the heroes Static/Virgil and John Stewart/Green Lantern in the animated Warner Bros.’ series Static Shock and Justice League Unlimited, written and produced by Mr. McDuffie.

Past Winners:

  • 2021: Adora and the Distance, written by Marc Bernadin & illustrated by Ariela Kristantina (Dark Horse Comics)
  • 2020: They Called Us Enemy, by George Takei, Justin Eisinger, Steven Scott and Harmony Becker.
  • 2019: Archival Quality, written by Ivy Noelle Weir & illustrated by Christina “Steenz” Stewart (Oni Press)
  • 2018: Leon: Protector of the Playground, written & illustrated by Jamar Nicholas (Kids Love Comics)
  • 2017: Upgrade Soul, written & illustrated by Ezra Claytan Daniels
  • 2016: Ms. Marvel, written by G. Willow Wilson & illustrated by Adrian Alphona (Marvel Entertainment)
  • 2015: M.F.K. written & illustrated by Nilah Magruder (www.mfkcomic.com)

2022 DMAD SELECTION COMMITTEE

The 2022 Dwayne McDuffie Award for Diversity in Comics’ selection committee, led by industry legend, Marv Wolfman, consists of 11 prominent comics and animation professionals who personally knew and worked with Mr. McDuffie and/or have demonstrated a serious commitment to his vision of excellence and inclusiveness on the page and behind the scenes.

  • Colleen Doran is a cartoonist, writer/artist whose works include the multi-award winning adaptation of Neil Gaiman’s Snow, Glass, Apples, as well as Gaiman’s Chivalry, Norse Mythology, and American Gods, and art for The Sandman, The Vampire Diaries, multiple Wonder Woman titles, and hundreds of other comics. She also illustrated Stan Lee’s New York Times best-selling autobiography autobiography Amazing, Fantastic, Incredible Stan Lee. She writes and draws the space opera series A Distant Soil. Among her numerous awards and nominations are Eisner awards, the Harvey Award, The International Horror Guild Award, the Ringo and the Bram Stoker Award.
  • Heidi MacDonald is the editor-in-chief of Comicsbeat.com and has edited comics for Disney, DC Comics, Vertigo, HarperCollins and Z2. She can be heard on Publishers Weekly’s weekly podcast More To Come and found regularly on the Beat’s YouTube channel.
  • Jamal Igle is the writer/artist/creator of Molly Danger for Action Lab Entertainment, the co-creator/artist of The Wrong Earth for Ahoy Comics, co-creator of Dudley Datson and the Forever Machine for Comixology, and the penciller of the critically acclaimed series, BLACK from Black Mask Studios, as well as many titles for DC, Marvel and Dark Horse. He’s been a storyboard artist for Sony Animation and is also a popular guest lecturer on the subjects of comics and animation.
  • Joseph Illidge is a writer, editorial director, thought leader, and public speaker who started his career at Milestone Media, the influential comic book publisher profiled in the HBO Max documentary “Milestone Generations”. In addition to his groundbreaking editorial runs for the Batman line of books for DC Comics and Heavy Metal magazine, Joseph has written MPLS Sound for Humanoids and the Judge Kim and the Kids’ Court series for Simon & Schuster. His new monthly column, Adventures in the Champagne Room, is a surgical examination of the comic book industry’s business relationship with its creators.
  • Nilah Magruder is a writer/artist and the inaugural winner of the Dwayne McDuffie Award for Diversity in Comics for the graphic novel M.F.K. She wrote and illustrated the picture book How to Find a Fox, and has also written for Marvel Comics, illustrated children’s books for Disney-Hyperion, Scholastic, and Penguin, and worked as a writer and storyboard artist in television animation. She is currently illustrating Creaky Acres, a middle-grade graphic novel about horseback riding.
  • Kevin Rubio is a writer/producer who has contributed to Justice League Action, Avengers Assemble, Thunderbirds Are Go!, Green Lantern: The Animated Series, Ben 10: Omniverse, and My Little Pony: Friendship Is Magic. He is also the creator and writer of the Star Wars graphic novel, Tag & Bink Were Here, and Red 5 Publication’s Abyss Vol. I & II. He is an inaugural recipient of the George Lucas Film Award for his Star Wars short film, TROOPS, is a Promax Award winner, and is an Emmy nominee.
  • Geoffrey Thorne is the writer/creator of Mosaic for Marvel Comics and the writer behind the transformation of DC Comics’ John Stewart from Green Lantern to the Emerald Knight. He was also the head writer and showrunner of Marvel’s Avengers: Black Panther’s Quest as well as a writer, producer and co-executive producer on such hit series as Leverage, Law & Order: Criminal Intent, and Power: Book II: Ghost. He is the executive producer of the hit sci-fi/fantasy audio drama series Dreamnasium and of Redjack: the Animated Shorts on YouTube.
  • Eric Wallace is the writer of multiple titles for DC Comics, including the award-winning Mr. Terrific. He also wrote on Ben 10: Omniverse and Duel Masters for Cartoon Network, plus Syfy’s Eureka and Z Nation, Co-Producing the latter; was Co-Executive Producer/Writer/Director on MTV’s Teen Wolf; wrote Dark Shadows audio books, the video game Scribblenauts Unmasked, and was Show Runner & Executive Producer on The CW’s, The Flash. Fun fact: “Eric Wallace” was a character in the movie Free Enterprise, portrayed by DMAD Master of Ceremonies, Phil LaMarr!
  • Will J. Watkins (Director of the Dwayne McDuffie Award for Diversity in Comics) is a freelance TV, film and animation writer who is also comic book story/world-building consultant on The Protectors graphic novel published by Athlita Comics. He had a stint as an assistant editor at DC Comics and, before moving to LA, he co-owned Chicago’s first African-American-owned comic book shop. He was a writer on Freeform’s Motherland: Fort Salem and most recently worked on a soon-to-be released, top-secret TV show adapted from a comic book.
  • Matt Wayne has written and story-edited many popular animated shows, including Samurai Rabbit: The Usagi Chronicles, Cannon Busters, the Emmy-nominated Hellboy Animated: Sword of Storms, Justice League Unlimited, Ben 10: Omniverse, Teen Titans Go! and such younger fare as Niko and the Sword of Light, Stillwater, and Hello Kitty: Supercute Adventures. His comics work includes writing Batman: Legends of the Dark Knight, Static/Black Lightning, Batman: The Brave and the Bold, and editing for the original Milestone Media comics line.
  • Marv Wolfman is the multi-award-winning writer who created Blade for Marvel Comics, The New Teen Titans for DC Comics, and legions of other iconic characters and stories. In addition to comic books, he’s written for animation, videogames, novels and more. It’s been said that he’s created more characters who’ve made the jump to movies, TV shows, toys, games and animation than any other writer save Stan Lee.

Follow The Dwayne McDuffie Award for Diversity in Comics on Facebook and on Twitter.

Brainiac On Banjo: Hell Is For Whom?

Brainiac On Banjo: Hell Is For Whom?

Posted on by Mike Gold

They cry in the dark so you can’t see their tears. They hide in the light, so you can’t see their fears. Forgive and forget, all the while, love and pain become one and the same in the eyes of a wounded child. Because hell — hell is for children. “Hell Is For Children” written by Neil Giraldo, Roger Capps, and Pat Benatar.

Quick: What did Pat Robertson have in common with Marv Wolfman, George Pérez, Chris Claremont and Brent Anderson — and, evidently, not with Howard Chaykin?

No, no. I mean, besides that.

Back when he was alive, Pat Robertson hosted a cable teevee funfest called “The 700 Club.” I gather this offensive and bigoted daily video scree will continue despite Robertson being declared dead formally. What the hell, had Pat not been born in the first place, religious and sexual hatred would have lived on unabated. In that sense, Pat Robertson was superfluous. Continue reading “Brainiac On Banjo: Hell Is For Whom?” →

Continued After the Next Page #016: Roy Harper – Pin Cushion With a Bow

Continued After the Next Page #016: Roy Harper – Pin Cushion With a Bow

Posted on by Bob Harrison

One of the interesting things about the extensive list of DC Comics characters is that there are plenty of characters that can be used to advance or deepen the story of lead characters. Since the dawn of stories, storytellers have been using the damage of “lesser” characters to add complexity to the protagonist by having them deal with the tragedy of those they care about.

In the case of Roy Harper, it has become an almost competitive sport to see who could do the most damage to the red-headed step child (literally) originally known as Speedy. The character was created by Mort Weisinger and George Papp as the ward and sidekick of Green Arrow and originally debuted in More Fun Comics #73 in 1941.

The Sordid Comic History of Roy Harper

The character’s torment began in earnest with one of the most famous and important socially aware stories of the seventies. In Green Lantern #85, the issue title “Snowbirds Don’t Fly” written by Denny O’Neil and drawn by Neal Adams, it was revealed that the teen sidekick of Green Arrow had become addicted to heroin. This fact has been retconned to alcohol addiction and back to drugs, but it remained in his history that Roy was an addict. Continue reading “Continued After the Next Page #016: Roy Harper – Pin Cushion With a Bow” →

Continued After the Next Page #012: Finding a Stray When Missing Your Nightwing

Continued After the Next Page #012: Finding a Stray When Missing Your Nightwing

Posted on by Bob Harrison

For many people, Robin, the Boy Wonder was the first super hero that they identified with. Whether it was from the Batman live-action TV show, or from Super-Friends cartoons, or on the pages of comic books, there was something enticing about the young sidekick to the cool and powerful superhero, Batman. I was very much that person.

Art by George Perez

My affinity for Robin became specific. I am a fan of Dick Grayson, the original Robin and also Nightwing.  As a pre-teen and teen, The New Teen Titans, by Marv Wolfman and George Pérez, was my jam, to use a term I am far too old to use. As Dick Grayson grew past the Teen Wonder persona in the comics, I was growing, and while other youngsters took up the mantle of Robin, I remained committed to my Grayson fandom.

Over the decades, my passion for the character only grew. Many of my comic creator friends, and anyone who has read previous episodes of this column, know how much Nightwing/Dick Grayson means to me. However, that character has been effectively removed from the current DC Comics Universe for the past eighteen months. Continue reading “Continued After the Next Page #012: Finding a Stray When Missing Your Nightwing” →

Brainiac On Banjo #053: Crisis On Infinite Heroes?

Brainiac On Banjo #053: Crisis On Infinite Heroes?

Posted on by Mike Gold

I got no time for a dozen / Six of you gotta go – Tuli Kupferberg, “My Bed Is Getting Crowded”

I enjoy the annual “Arrowverse” crossovers on the CW, where most of the DC characters who star in those sundry shows all get together to hop timelines and dimensions to fight, as Chickenman used to chirp, “crime and/or evil.” This year’s crossover certainly will be the biggest ever, and, if we’re just a bit lucky, the best.

Of course, by best I mean more fun. Coincidentally, Green Arrow, for whom the Arrowverse has been named, made his debut in DC’s More Fun Comics, but I digress. I’m not expecting Gone With The Wind here; I based upon the previous crossovers I’m expecting to have a good time.

This one is cleverly titled Crisis On Infinite Earths, borrowing the name, concept and logo design of Marv Wolfman and George Pérez’s game-changing miniseries. It was a brilliant and gutsy story that established the standard in all-inclusive event comics… even though the publisher completely pulled the rug out from under it by immediately rebooting Superman and Wonder Woman while the ink on the final issue of Crisis was still wet.

But I’m not here to continue my 34-year old rant about rebooting like monkeys on speed. I’m not going to get over it, but the comics’ DCU is not the Arrowverse. Continue reading “Brainiac On Banjo #053: Crisis On Infinite Heroes?” →

Brainiac On Banjo #025: Marv Wolfman’s Long, Long Journey

Brainiac On Banjo #025: Marv Wolfman’s Long, Long Journey

Posted on by Mike Gold

What I should have done, were this to be a proper analysis, was reread every comic book story Marv Wolfman ever wrote. Obviously, that’s not possible. He’s written a lot of comics. Marv wrote his initial scripts on papyrus. He’s only four years older than me, but he’s been at it since Jeff met Mutt.

Not that it wouldn’t have been an entertaining way for me to blow off a deadline. He’s written… everything. Every A-list, B-list, and C-list character owned by DC and Marvel, and most of the lower-list characters as well. He’s written some of the most iconic series around: Tomb of Dracula, Crisis on Infinite Earths, Blade, The New Teen Titans. His runs on Spider-Man, the Fantastic Four, Superman and Batman are the stuff dreams are made of. My personal favorite, Night Force (co-created by his Dracula comrade Gene Colan), is… well… my personal favorite and I’ve read more comic books than Supersnipe.

I strongly expect that at least 95% of the ink Marv gets for his latest mind-stunner, Man and Superman, will start with referencing the second line in his introduction: “(Man and Superman) maybe one of the five best comics I’ve ever written.” That is a ballsy move, my friend. Now every blogger must start there. Is this among Marv’s very, very best? Well, let’s keep in mind it’s also an extraordinary gambit – now everybody is going to ask themselves the same question, and in order to answer it, they’ve got to read it. Continue reading “Brainiac On Banjo #025: Marv Wolfman’s Long, Long Journey” →

Continued After the Next Page 007: On George Perez’s Retirement…

Continued After the Next Page 007: On George Perez’s Retirement…

Posted on by Bob Harrison

If you have read the previous posts in this column, you will know that I am a child of the 80’s. I began my love for comics when the two biggest selling series were Uncanny X-Men and New Teen Titans. The New Teen Titans was the most influential comic series on me as a child. Hell, my best friend, and current tattoo artist, painted the Titans Tower portraits for my Bar Mitzvah party.

With that bit of background, it is easy to understand why George Perez is the first comic book artist that I fell in love with. My sister, who I am betting has read maybe two comic books in her life (only because I forced her), even knows who George Perez is. There are so many fantastic artists in the medium. Too many to name. But George tops them all for me. He is my paragon. In adulthood, I have gained appreciation for those who came before him. As a youngster, I didn’t understand Kirby or Ditko the way that I did Perez. Adams was too melodramatic for me. George Perez’s tight lines and dynamic action scenes where what I expected comics to be.

Recently, Mr. Perez announced that 2019 will be his last year on the comic convention circuit, and he will essentially retire from making new comics. These decisions are due to the toll that health issues have taken on him. We are terribly sad to hear that he has come to this place at such a young age. Mike Gold has become the de facto eulogizer around Pop Culture Squad headquarters. Thankfully, George is still with us, and therefore, I will take a shot a living tribute in this post.

Continue reading “Continued After the Next Page 007: On George Perez’s Retirement…” →