Not even a year removed from the debut of AEW Dynamite — the weekly 2 hour wrestling program from All Elite Wrestling — I consider myself a full-blown convert. Each week, WWE’s stranglehold on the pro-wrestling (ahem… “Sports Entertainment”) industry slips further and further down. In fact, just this past week, their ratings continued to plummet. And while all TV ratings right now are not-great? The WWE has less of an excuse. They are still producing weekly entertainment. It’s just that in comparison to Tony Khan’s black-white-and-gold brand… WWE is looking a lot less shiny. So much so I’m not even watching DVR’ed episodes with any zeal. At best, I listen to results (and complaints) from YouTube reviewers a few days after episodes air. While the WWE is literally too big to fail for now? As AEW Champion (and former WWE staple) Jon Moxley might say… it’s time for a paradigm shift. Continue reading “So Long and Thanks for the Fish, Man #068: The Nails In WWE’s Coffin Are Elite”
A while back — long enough that I no longer feel guilty for writing too much wrestling content — I’d written up some thoughts about the potential that Cody Rhodes’ All Elite Wrestling had to disrupt the professional wrestling landscape.
Well, a few months into their debut, I’m ready to say this much: if they continue to listen and learn? AEW will change that landscape enough Vince McMahon should invest in new trousers.
If I can clarify upfront though: the WWE may suffer in their ratings, ticket sales, and merchandise movement as AEW continues to gradually cement their base in the industry… but it will remain the leader in profit, size, and scope due to it’s sheer volume of talent and foothold in the zeitgeist.
What AEW has done better than any other lesser company in the space (NWA, TNA / Impact Wrestling, New Japan, etc.) is to clearly present itself as an alternative to specifically counter the programming of the McMahon empire — and doing so similar in scope. This means in essence they are attempting to zig wherever Stamford zags. They’re targeting medium sized arenas, and being judicious in their talent’s schedules. The company is being run behind the scenes by working talent, and as such, it more apt to make decisions with said talent in mind. See also: NXT under the WWE umbrella — as run (for the most part) by Paul Leveque (aka the WWE’s Triple H). But put a pin in that. Continue reading “So Long and Thanks for the Fish, Man #050: All Elite? All Better than WWE”