I like a lot of detective heroes found in books, movies and TV shows. Part of the fun of an adventure with any of Philip Marlowe, Jim Rockford, Pete Fernandez, Spenser, or Myron Bolitar is that I think it would be fun to hang out with that guy.  Even the heroes who are a bit prickly, like Sherlock Holmes or Stumptown’s Dex Parios, would still be a riot to run around with for an adventure or two. They are all so likeable.

But I never used to like Mike Hammer, the toughest of the tough guy detectives.  I knew he was a big deal and his novels, written by Mickey Spillane, were successful. I would learn later that, at one point, Spillane was the world’s best-selling author, having written seven of the top ten best-selling novels. It turns out that it happened was when he had only written seven novels.

Yes, this guy Spillane was seven for seven. Incredible, right?

I think that, initially, the character Hammer was just too brutal for me. He gave the bad guys what they deserved, however gruesome.  He always “colored outside the lines” of both the legal system and good taste. Unlike that classical 1930s and 1940s detective who would walk down those mean streets like a modern day knight of the round table, adhering to a personal code of honor, Spillane’s Mike Hammer took it way over the edge.

But my perception changed when I started reading the “new” Mike Hammer novels.  After an incredible writing career, and second act in a long-lived Miller Lite advertising campaign, Mickey Spillane left behind a treasure trove of partially-finished stories, and story ideas, that he only trusted one man to finish – Max Allan Collins.

Max Allan Collins has emerged as one of the top mystery writers in his own right. He’s incredibly prolific, and it’s astounding that he never seems let his level quality slip; not in any of his novels (Nate Heller, Quarry), comics (Ms. Tree, Batman), adaptations (CSI, Criminal Minds) and comic strips (Dick Tracy, Batman.) You might also know he was the guy wrote the brilliant graphic novel, The Road To Perdition, which also became a movie starring Tom Hanks. Continue reading “With Further Ado #091: Down These Mean Streets with MAX ALLAN COLLINS (part 1)” →