Let your soul shine -Greg Allman
It’s better than sunshine
It’s better than moonshine
Damn sure better than rain
Let your soul shine
Tweaking what Greg Allman sang, Moonshine is damn sure better than I expected. This Image series, by the longtime team of Brian Azzarello and Eduardo Risso, just completed its sophomore story arc. This story is collected in the trade paperback, Moonshine Vol 2 The Misery Train, in comic shops today.
When viewed through a simple lens, it makes sense that this “werewolf story” is released on Halloween. In reality, Moonshine offers readers more than a traditional wolfman yarn. This drama, set during the time of Prohibition in the South, touches on everything from cultural family dynamics, male/female roles and the cyclical nature of lawbreakers. There’s also plenty of horror, suspense, deceit, sex and surprises.
At the outset, I (foolishly) expected Moonshine to be a mash-up of Bonnie and Clyde, O Brother Where Art Thou? and a vicious werewolf movie, like An American Werewolf in London. I wasn’t wrong, but this nuanced horror chiller is so much more.
It’s a scary story that’s a period piece, with clever characters providing glimpses into several cultural and economic groups. That sounds stuffy and boring, so let me add that it’s all a deliciously tasty scare too.
Azzarello’s Bags of Tricks
They story’s full of twists and turns in clever settings with unusual conflicts. But one of Azzarello’s strengths continues to be his incredible skill at developing intriguing characters.
Tempest is one of the main characters in this volume. She’s so far beyond the sexy “farmer’s daughter” character that readers might have initially assumed she was. As rendered by Risso, she all about that seductive look, but in this story arc she’s steps up to become more clever and plotting. There are points in the story where Tempest may think she’s a victim, but she’s reminded that others have it so much worse. Her machinations might not have turned out the way she had hoped. We can empathize with her frustrations while still not liking her. Or not trusting her. Azzarello reveals that she’s not as mature as she’d like us all to believe. He makes the reader need to know more about this character.
Italian Americans have a long history of being the bad guys in American storytelling, and they fulfill that role there too. Azzarello sprinkles a little bit of The Godfather mafia types on top of a conniving Game of Thrones struggle and the result is as tasty as your Grandma’s Sunday gravy.
Azzarello has this trick with characters too. On first glance, you don’t think there are that many characters, when you are reading the story. But upon reflection, you realize that it’s jam-packed with a plethora of characters. These characters all come alive in a short time, and you can’t help but wonder about them after you’ve flipped the page.
It’s Time to Appreciate Eduardo Risso
The artist, Eduardo Risso, is Azzarello’s longtime creative partner. Past series like 100 Bullets and Spaceman each have their own unique vibe. That’s the way it is with Moonshine. Risso takes the reader deep into the black woods and black hearts of the characters, with his solid renderings and elaborate page layouts. One could almost imagine Will Eisner looking down from comic creator heaven with arms crossed but approvingly nodding, muttering things like “hey, that page really is something different” or “this guy is innovative”. I wouldn’t be surprised if he had a few rants along the lines of “Sonuvagun! I wish I had done that!”
Each issue is a mix of Risso slowing it all down and then slamming his foot hard on the gas. At the same time, Risso takes the reader on a roller coaster POV with high shots, ground level shots and in-the-middle-of-the-action shots. And he, Risso never sacrifices clarity and solid storytelling either.
Risso also maintains control over his color palette. To the reader, the finished pages are like symphonies and Risso is the orchestra leader – he brings each beat of the story together with mindful layouts and clever colors that reinforce the narrative and linger on the reader’s mind long after she or he puts down the book.
The Collected Edition
Azzarello is the type of writer who makes you feel comfortable, and then, out of nowhere, grabs you in a headlock and chokes the familiarity right out of you. You’re gasping for breath, but at the same time, you just want more. I prefer reading a series like Moonshine each month in the traditional comic format, but the collected TPB is perfect when you find yourself as ravenous as the protagonist.
Kudos to this team, and editor Will Dennis for a job well done. And, to finish this up, let’s get all those Halloween puns out of our system once and for all:
Don’t howl at the moon, give yourself a treat and sink your teeth into a copy of Moonshine Vol. 2!