Tag: HBO Max

Brainiac On Banjo: No Lunch For Batman

Brainiac On Banjo: No Lunch For Batman

“Down on me, down on me; looks like everybody in this whole round world, they’re down on me.” Janis Joplin, Down On Me, 1967

Many years ago, the late and truly great Dennis O’Neil said that neither Bruce Wayne nor Batman had a sex life; he/they sublimated all such compulsions, folding them into the mission. Denny said that in the office that we shared, and, damn, it made sense to me. In fact, it explained a lot about the guy.

Mind you, as the writer or editor of a great, great many top-rank Batman stories over the course of five decades, I believe Denny knew more about what made Batman tick than Bruce Wayne ever could. However, this particular observation was not canonical. Bruce even fostered a son with his frenemy Talia al Ghul, and that child became the latest Robin — as of this writing, of course.

Let us now flash forward to the late summer of 2018 and the release of DC’s Black Label adults-only series, Batman – Damned. Created by writer Brian Azzarello and artist Lee Bermejo, the story ran three issues. It was the first volume that upset some people, as it had the briefest glimpse of a small part of Bruce’s penis. To be fair, it really wasn’t enough to be perceived as salacious by anybody but the most pathetically repressed — not unlike Janet Jackson’s nipple which evidently blinded tens of thousands of small children who were watching the Super Bowl but were thinking of dinner.

Oh, yes: it also bothered the bean counters at DC/Warner Bros/WarnerMedia/AT&T/Lucky Charms or whatever the hell they were calling themselves that week. Bean counters are the most paranoid people in the media businesses; it’s in their job description. People made such a big deal of it that the Batwang was, well, overly circumcised in the digital editions and in later reprintings. The parent companies were so offended that the whole thing had an impact on several careers. The whole thing had a short shelf-life as the object of snickering jokes on late-night television.

O.K. So “Adults Only” in DCland doesn’t include, you know, adult stuff. Lesson learned. And lesson repeated this month.

For over a year, WarnerMedia (now called Warner Bros. Discovery, at least as of this writing) has had this very expensive streaming service called HBO Max. It’s got a lot of original material, and much of it is generated by DC comics properties. These shows are not G rated, nor are they PG. Sometimes there’s a fine line between R and X ratings, and a lot of HBO Max’s DC stuff inhabits that zip code. This pace was set in the first episode of their first series, Titans, where Dick Grayson (a.k.a. Robin the First) shouts “Fuck Batman!” Holy Wertham, Batfans! WTF??

Titans survived and the third season goes up in August. Their second show, The Doom Patrol, has had actual on-screen sex, with naughty bits and more about Brendon Fraser than you might want to know. Their other Batman related show, the adults-only animated series Harley Quinn, is the most adults-only of the bunch, and the third season is now in production. But at least one scene won’t be completed — the one where Batman has oral sex with Catwoman. Continue reading “Brainiac On Banjo: No Lunch For Batman”

Brainiac On Banjo: New York, Naked

“It trails me and it tails me down to Central Park. Even after dark, New York is my home. New York is calling me, and now I find the city never sleeps… it’s my state of mind.” New York Is My Home, written by Dion Di Mucci, Scott Kempner, and Mike Acquilina, 2016

Like many pop culture enthusiasts – we used to be called “fans” before cosplay became a big deal — my “top ten favorite movies” list runs a bit heavy. I recently took to creating an actual written-down list and, as of this typing, this effort has engorged to 66 films. I’m sure it will lengthen.

Among those works on film to which I am most endeared is a 1948 flick called “The Naked City,” directed by Jules Dassin and starring Barry Fitzgerald, Howard Duff, and Dorothy Hart. Despite its title, this brilliant and authentic action movie is not the least bit salacious. It most certainly is naked, in the sense that The Naked City is the most poignant portrait of New York City I have seen.

This is the New York City of legend, filmed on location. Well, 80% of it was filmed on location, and that certainly fits the definition of unique. No other movie had so much Manhattan footage, and the performers and crew were not limited to the types of cover shots we are used to seeing on shows like N.Y.P.D. Blue.

We are thrust into the real, heroic city of legend that is no longer with us, but unlike Camelot or Brigadoon this place was real and that is the stuff of this movie. It was the town many of our ancestors first saw when they came to America, the portal to a new world that offered the promise of fair play, opportunity, equality, and democracy. Those values may be fading rapidly as well, but that’s for another time.

As much as I love the work of Damon Runyon, the New York City seen in this movie is the real thing. There are no singing and dancing gangsters in this production. You can almost smell the sidewalk hot dogs, the sweat of the workers, and the stench of the tenements on a hot summer day — The Naked City was filmed in the very, very hot summer of 1947, and it shows.

Long gone are the Manhattan elevated trains and the Essex Street Market, the old Staten Island Ferry terminal and the real Penn Station, the ramshackle and often dangerous subdivided apartment buildings for those who dream, and the mom-n-pop stores that met their needs. Big-box chain stores and franchise fast food were almost unheard of. It was America’s portal to the rest of the world and, more important, it was the portal from the rest of the world.

The movie most certainly suffers from some of the constraints and attitudes of its time. There’s plenty of white ethnic diversity, and that’s about it. New York City is and always been a lot more than that, but in 1948 I suspect a lot of people wondered why they ever would be interested in seeing a movie about a bunch of Irish, Italians, and Ashkenazi… let alone about New Yorkers. The Naked City does not portray a lot of high falutin’ swells living in the vertical gated communities that line Central Park; this is the people of New York whose heads would explode at the thought of paying today’s $3,500 a month rent.

The original The Naked City movie, later remade as several television series and movies, is a breathtaking, highly detailed and emotionally appropriate record of the city that defined America. It is a 96-minute time machine that nails down the roots of our cultural heritage.

It’s also a damn good cop movie.

The Naked City is on HBO Max and, better still, the 23-minute Criterion documentary Uncovering The Naked City is there as well, although I do not know how long either will be streaming from that venue. Talk about Brigadoon… Of course, both are available from Criterion on home video and on the Criterion Channel. I say “better still” because The Naked City is shown on TCM with some regularity but the documentary is a mere seventeen months old and not quite as accessible. It’s a love letter to both the movie and to the city that made it… and, of course, to the people who made it as well.

As they said in this movie and its subsequent adaptations, “There are eight million stories in the naked city.” This has been the best of them.

The author dedicates this column to Howard V. Chaykin, the source of several of those eight million stories.

Brainiac On Banjo #100: Wonder Woman Saves Lives! Really!

Brainiac On Banjo #100: Wonder Woman Saves Lives! Really!

Make a hawk a dove, Stop a war with love, Make a liar tell the truth. Wonder Woman, Get us out from under, Wonder Woman. All our hopes are pinned upon you. And the magic that you do.– Theme from the Wonder Woman television show, written by Norman Gimbel and Charles Fox

Yesterday (Wednesday, to the calendar-challenged), the folks on the Left Coast at WarnerMedia — those who still have jobs — announced that on Christmas Day they will be releasing Wonder Woman 1984 to those American theaters that may be open. This wasn’t a shock — it’s been in the can for about half of this year, and they’re probably tired of paying out all that interest. I don’t blame them one bit.

Surprisingly, they also announced they’ll be running the movie on their HBO Max streaming operation starting that very same day. They didn’t mention how long it will be available to pluck from the Cloud, but the media wonks feel that will be a month. Well, that’s damn cool. Happy New Year!

Shockingly, WarnerMedia also announced they will not be charging $30.00 for the privilege of watching the sequel to a movie that made almost nine-tenths of a billion dollars by putting people’s butts in theater seats. That’s how much Disney charged when they diverted their live-action Mulan to their Disney+ streamer, and they seem to have done pretty well with that.

So… get this! HBO Max will be charging absolutely nothing extra. They’re hoping they sell a lot of new subscriptions and renewals. I’ll bet right before Wonder Woman 1984 we’ll see a new trailer or three for their mostly-new five-hour “Snyder Cut” of the Justice League silver screen train wreck. I wouldn’t be surprised to see a trailer for their new Wonder Girl teevee series as well.

Like many others (including Pop Culture Squad’s HBIC), I would prefer to see Wonder Woman 1984 on a big screen. I loved the first one — it inspired a lot of little girls in the audience, and it gave me hope. Well, in that case it was hope that Warner Bros can make another superhero movie that’s at least half as good as those made by Marvel. But, hey, times suck and we’ve got to adjust. Personally, I’d also like to drive from Connecticut to Kansas for some barbecue, and right now that ain’t gonna happen either.

A lot of people will be driving during Christmas and New Years, assuming those mathematics-denying flat-earthers don’t kill themselves or others at their huge, indoor family-infested Thanksgiving dinners, believing there is some unstated provision in the Constitution that allows them to murder their friends and relatives while keeping the Covid-19 virus fat and healthy.

But, now, there’s an out for some of the more intelligent and reasonable folks in those families. They just might buy some holiday candy and stay home to watch Wonder Woman 1984. After all, not everybody is willing to risk their lives for the honor of watching a bunch of football games with people they really don’t like and dare not speak with. This will not only prevent or delay some spread of Covid, it will also reduce the number of family manslaughter arrests and, if we’re lucky, some DUI issues as well.

WarnerMedia might be taking a bath on the movie, but it’s quite likely their decision will lives.

Besides… those people who were planning on seeing Wonder Woman 1984 by gawking at their computer screens at a shaky camera-copy bootleg? Hey, Warners, you just did them a solid!

Seriously. AT&T, owners of WarnerMedia which, in turn, owns Warner Bros which, in turn, owns DC Comics deserves serious appreciation. They might be thinking they’re doing the only thing they can given the situation, but they should be aware they’re also doing the right thing.

Saving lives… in the spirit of Wonder Woman.

Comic News Roundup: Comics News for the week of 10/5/2020 -10/9/2020

Comic News Roundup: Comics News for the week of 10/5/2020 -10/9/2020

Welcome to our new feature Comic News Roundup. We are giving you a run down of the news from comic book publishers and other pop culture news that was released throughout this week. We have news from NYCC/Metaverse, Archie Comics, Boom! Studios, Scout Comics, Valiant Entertainment, and Amazon Prime.

 


Archie Comics

South Side Serpents:

Archie Comics announced a new one-shot comic that comes out in January 2021. It is set in the world of Riverdale and stars Jughead Jones and the South Side Serpents biker gang.

From the press release:

“I’ve known David and Richard a long time and have wanted to work with both of them,” said Archie Comics Co-President Alex Segura. “David’s a pro — a journalist who’s written some great comics. Richard has a clean, memorable line and is an editor’s dream. So, when we knew we wanted to spotlight the South Side Serpents corner of the Riverdale universe, it made sense to pair them together. The end result is a dark, compelling, and unique take on some of fans’ favorite characters — plus plenty of surprises.”

Here is the cover and solicit:

RIVERDALE PRESENTS: SOUTH SIDE SERPENTS ONE-SHOT
FP Jones is worried for the future of the South Side Serpents. The biker gang is getting old and finding it hard to attract fresh blood. But FP has a plan, and it revolves around his son, Jughead. Hunted by the most fearsome biker gangs in the state, an unwilling Jughead has to step up into the role of leader to guide the Serpents on a perilous journey. There will be adventure, there will be thrills, there will be chases, and there will be death in this special one-shot event featuring fan-favorite characters from the CW Riverdale series.

Script: David Barnett
Art: Richard Ortiz, Matt Herms, Jack Morelli
Cover: Richard Ortiz
Variant Cover: Tyler Boss
On Sale Date: 1/27
32-page, full color comic
$3.99 U.S.


New York Comic Con / Metaverse

This weekend is ReedPop‘s virtual New York Comic Con. As will all comic conventions this year NYCC is not an in person event. Metaverse is hosting the virtual experience that consists of live programming panels, artist alley “booth”. vendor kiosks, and lots of other cool stuff. There is content from the world of comics, anime, film/tv, as well as paid experiences and lots of exclusives. You can find all the fun stuff at https://www.findthemetaverse.com/.

A highlight is the 2020 Harvey Awards Ceremony tonight at 7:50PM EDT.
https://www.findthemetaverse.com/videos/_MW18JGRHko

There was some news that was released regarding a new project by Gail Simone and Jim Calafiore which is sponsored by the Travelers Insurance company. Simone broke the news of this heartwarming project that supports the campaign to reduce distracted driving on Twitter yesterday. Here is the thread to Gail’s storytime, but be warned you may need a tissue, or a box of them.


Boom! Studios

Power Rangers:

Boom! Studios has announce a few new comics this week. They include a new graphic novel in the Hasbro licenced Power Rangers universe called Power Rangers: Sins of the Future.

From the press release:

“BOOM! Studios, under license by Hasbro, Inc. (NASDAQ: HAS), today revealed a brand new look at the original graphic novel POWER RANGERS: SINS OF THE FUTURE, written by Matthew Erman (Bonding), with story by Trey Moore (Mighty Morphin Power Rangers), illustrated by Giuseppe Cafaro (Saban’s Power Rangers: Soul of The Dragon), and lettered by Ed Dukeshire. This all-new graphic novel, available on October 28, 2020, features two of the most popular Rangers of all time and what happens to them after the events of the hit Power Rangers: Time Force television series!”

Continue reading “Comic News Roundup: Comics News for the week of 10/5/2020 -10/9/2020”

Brainiac On Banjo #094: Nyah Nyah, Nyah Nyah, Nyah Nyah!

Brainiac On Banjo #094: Nyah Nyah, Nyah Nyah, Nyah Nyah!

Well, I went to the doctor / I said, “I’m feeling kind of rough” / He said, “Let me break it to you, son / “Your shit’s fucked up.” / I said, “My shit’s fucked up? / “Well, I don’t see how / He said, “The shit that used to work / It won’t work now.” – Warren Zevon, My Shit’s Fucked Up, from the album Life’ll Kill Ya, 2000

This week we offer a three short subjects for our attention-span impaired friends…

ITEM 1: Beware of Falling Objects

A couple months ago, WarnerMedia announced HBOMax, the ultimate Warner Bros streaming service. And the most expensive, as I noted. They consumed their first Pac-Man, HBOGo. Go? Go know… I also noted, a few hours after the announcement, that there no longer was a way to keep their DC Universe going. I certainly wasn’t the only person who came up with this analysis — it was obvious, sorta like saying “that yellow thing in the sky is ‘the sun’” — but I blurted it out faster than a speeding bullet.

However, there was some significant collateral damage. The death of DCU (which, as predicted, will see its original programming going over to HBOMax) begat a very severe round of staff-hatcheting at DC comics. After moving 3,000 miles to new “state-of-the-art” facilities — they didn’t mention which art — their parking lot now can welcome more pigeons. Continue reading “Brainiac On Banjo #094: Nyah Nyah, Nyah Nyah, Nyah Nyah!”

Brainiac On Banjo #091: DC Universe … From Streaming To Sinking

Brainiac On Banjo #091: DC Universe … From Streaming To Sinking

As of this writing, which is 9 PM EDT Sunday July 12, the DC Universe streaming service is still alive. It’s home to some of the most entertaining superhero teevee programing around, in my opinion. I can’t speak for yours. But that thing coughing up blood all over your Wi-Fi is, sadly, the DC Universe streaming service. And it’s the fault of their own artistic success.

Aside from hospitals, the only place that has had a worse month than the DCU has been the White House. In fairly quick order, the service lost future first-run episodes of Stargirl to the CW, saw The Doom Patrol multicast on the pathetic HBO Max sinkhole, Harley Quinn also airing on Syfy and Canada’s Adult Swim, and is thought to be migrating to HBO Max as well. Titans remains, but might be severely undermined by DC’s new Gotham City Police show (not necessarily the final title) spinning out of The Batman movie the now filming in Europe.

Continue reading “Brainiac On Banjo #091: DC Universe … From Streaming To Sinking”

Brainiac On Banjo #085: Crossing The Stream

Brainiac On Banjo #085: Crossing The Stream

Star Wars! / Give me those Star Wars! / Nothing but… Star Wars / Don’t let them end — written by Nick Winters, 1977

With all the streaming at our fingertips, the entertainment business is making a lot of headlines promoting what they’re going to do once Earthlings return to mobility. But don’t get excited just yet: the only cameras operating right now are working Zoom and not Studio Binder. When Keith Richards self-quarantines, everyone should self-quarantine.

Next week’s launch of HBO Max has turned up the heat. Clearly, studios are concerned about competing for subscribers with promises of new content, which, at best, won’t appear until after the winter solstice. My take on HBO Max is simple: it’s goddamn expensive, and right now they’re running little but reruns. It’ll probably work out because they’re not promoting that fact. But reasonable bean-counters understand that few people are going to maintain subscriptions to HBO Max, Disney+, AppleTV, CBS All Access, Peacock Premium, and Amazon Prime – to name but a very few – all at once. That’s a lot of money, and it’s also more programming than one can handle. Continue reading “Brainiac On Banjo #085: Crossing The Stream”