Tag: greg hildebrandt

With Further Ado #202: Greg Hildebrandt Part 3 – Rita, Bettie, Shannon and a Pin-Up Calendar

With Further Ado #202: Greg Hildebrandt Part 3 – Rita, Bettie, Shannon and a Pin-Up Calendar

In the third part of our With Further Ado conversation with Greg Hildebrandt, we (finally) get to discussing his two new calendars, and start with why this famous fantasy artist has a new Pin-up Calendar coming out.

Please enjoy Part 3 of my interview with Greg Hildebrandt:

Ed Catto: That’s fantastic! And let’s shift – I want to be mindful of the time – let’s shift to the Pin-Up calendar. You’ve been inspired by pinups and it looks like it’s going to be beautiful.

Greg Hildebrandt: Well, I was born in 1939. So, I was aware of these things. You became aware of these things, even before you got to puberty. I was a little kid, and my grandfather had all the calendars. My father’s father. We’d go over to Grandma and Grandpa’s, and back in the day, they were very “old worldly” almost, even though my grandfather was born here, his wife was born in Austria. He had all these calendars in the basement, but basically, they were all Gil Elvgren‘s! (i.e., Pin-Up Calendars)

And I remember them lined all up. And going down (to the basement). Tim and me would go down and study them. Aside from once you were interested in girls, aside from that aspect. and we would go down and study them. We were just blown away by the painting of them, especially the style – that broad painterly look that he did. That was my first really focus for knowledge, or information. about Pin-Up art.

And then, of course, a man would always have the magazines. You would look at the magazines. With the photography that would never match the art. It would never match the art in those men’s magazines. They just didn’t have it.

EC: Yeah, the Vargas painting would be better than the photography.

GH: Absolutely. Absolutely! It’s like they’re trying for some perfection thing, or idealization. You know, I know, it’s dangerous to talk about this stuff these days, but there was a certain standard that they were after.

For a lot of them, their women start to look alike, and then there’s almost too much of a kind of a similarity. When I started my series, I wanted to have very individualistic people.

My approach was for each to be individual, and in each of these are I’m trying to tell a little story.

EC: There is so much story in each image!

Editor’s Note: There is more art from the calendar past the jump.

Continue reading “With Further Ado #202: Greg Hildebrandt Part 3 – Rita, Bettie, Shannon and a Pin-Up Calendar”

With Further Ado #201: Greg Hildebrandt Part 2 – Warm Light, Cool Shadows

With Further Ado #201: Greg Hildebrandt Part 2 – Warm Light, Cool Shadows

In last week’s With Further Ado (the 200th Smash Issue), in the first part of my interview with the talented Greg Hildebrandt, we focused on that famous Star Wars poster. In part two of our conversation, Greg and I talk about color theory, art school, classic movies and how these all inspire his approach to art (and specifically his creation of a Tolkien work-in-progress). This candid conversation offers a fantastic way to learn more about what makes this incredible artist tick.

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Ed Catto: I will ask you about these two amazing 2023 calendars on sales soon. But one of the things I love about work, and your collaborations with your brother in the old days, is that you always have such a sense of warmth; warm ‘glowy’ colors and that sense of cool colors.

Greg Hildebrandt: Yep! That’s a big, huge thing for Tim and me, I know that our awareness starts with Technicolor movies. Hollywood Technicolor movies. I can remember those biblical Epics. Where you’d have the set. They would be outside. They have beautiful blue lights coming in through the window, torch lights – tungsten 25 kelvin type lighting…and then the cool light! That was like – waugh! I remember, there was one movie: Forever Amber. (Note: a 1946 Linda Darnell movie) I haven’t seen it in about ten years, but the incredible lighting! The tints! Warm and cool, warm and cool. Hollywood was huge.

Then when we discovered Howard Pyle and N.C. Wyeth. He became our “main man”, as far as American illustrators go. Wyeth, you know Treasure island…

And we kind of grew up on them. My parents had those books. I remember growing up on that stuff as a kid. And Technicolor movies! Lighting was always an issue. It wasn’t always only the lighting in Technicolor films, but the black and white movies. You take Gregg TolandCitizen Kane – the lighting; that was a key thing for Tim and me, is to grasp it. It’s still there. It’s one of the main devices that I am still focused on. Continue reading “With Further Ado #201: Greg Hildebrandt Part 2 – Warm Light, Cool Shadows”

With Further Ado #200: 200th Smash Issue – with Greg Hildebrandt

With Further Ado #200: 200th Smash Issue – with Greg Hildebrandt

I never was sure what “200th Smash Issue” meant. Was it a certain kind of celebration? Was a “smash issue” celebration different from the usual comic book milestone? I vividly remember one of my neighborhood pals, George Riley, (who usually only collected war and western comics) boasting that he had a copy of Batman #200, the so-called ‘200th Smash Issue”. I was SO envious and curious.

No matter how you slice it – doing something 200 times on a regular basis is sumpthin’. So, I am proud of to be celebrating the “200th Smash Issue” of With Further Ado. And I’m grateful for the many people who have helped and supported me along the way.

So, this week, we’ll be celebrating a pop culture milestone – one of the most widely known – and loved- movie posters of all time; the Hildebrandt’s Star Wars poster. It’s just the start of a multi-part interview with the alarmingly talented Greg Hildebrandt. The “main” focus will be his two amazing 2023 calendars, but that all comes next time.

This week we’ll focus on Star Wars, the entrepreneurial hustle that it takes to be a successful illustrator, and why none of this would have happened without Mel Brooks!

Please enjoy Part 1 of my interview with Greg Hildebrandt:

Ed Catto: Well, this is quite a treat. I’m sure so many people you talk to all say, “I’m your biggest fan!” I’ve been loving your work for all those years so I’ll just get that all out of the way. but on a personal level, I feel like 11-year-old speaking to you. It’s a great treat for me.

Greg Hildebrandt: Thanks a lot, man. It’s always interesting to hear that, because of course I’m still 11 myself. I feel like the people that I enjoyed all my life. To have people tell me that back …now it’s always like “wait a minute” …that doesn’t quite fit!

EC: I’ve been with you, on this ride for many, many years.

GH: But do you know me for my toilet training book?

EC: I don’t know you for that one!

GH: That was that was one Tim <Hildebrandt, his brother> and I did. I think in 1974. Oh, to stay alive in the city, in New York, you have got to just take everything you can get and this one rose up, and I say “Yeah, what the hell.” There were these two young pediatricians that were really sticklers for detail. The mother and the kid and the father comes in, and we kept drawing sketches over and over and over again.

So, I’ll hold up that and the Star Wars poster – or the Lord of the Rings or something -, and say, “You may know me for this, but….”

EC: I guess every great painter has got one or two of those in the past…

GH: You take every job. You learn. And you need to make a living. Continue reading “With Further Ado #200: 200th Smash Issue – with Greg Hildebrandt”