Tag: Geoff Johns

Press Release: Indie Comics Studio Ghost Machine Create Scholarship with The Joe Kubert School

Press Release: Indie Comics Studio Ghost Machine Create Scholarship with The Joe Kubert School

Newly created comic collective Ghost Machine has announced a really cool relationship with one of the premier institutions of learning for comic book creatives. A full tuition scholarship and collaborative teaching at The Joe Kubert School are included in the partnership. Read all the details below:

Press Release: 

PORTLAND, Ore. 06/11/2024 — Ghost Machine has set up the Ghost Machine Scholarship in collaboration with The Joe Kubert School, the iconic graphic arts educational institute founded by legendary comic book artist Joe Kubert. Located in Dover, NJ, the esteemed school has nurtured and honed the talents of countless comic book artists and illustrators including Andy and Adam Kubert, Lee Weeks, Stephen R. Bissette, as well as Ghost Machine’s own Brad Anderson and Rob Leigh.

Beginning with the 2024/2025 Fall term, the all-new scholarship will cover full tuition and supplies for one, third-year student at the school known for its renowned, comprehensive approach to sequential art, encompassing not only traditional drawing and inking techniques but also digital illustration and storytelling skills. The first recipient of the Ghost Machine Scholarship will be selected before the start of the new school year. In addition to the scholarship, Ghost Machine creators will teach a series of guest lectures at The Joe Kubert School, covering topics such as writing, visual storytelling, character creation and collaboration.

When founding Ghost Machine, the new generation of artists has always been top of mind for the groundbreaking creator collective, led by a best-in-class lineup of artists and writers whose award-winning and iconic works include Batman, Superman, Spider-Man, Aquaman, Stargirl, JSA, The Flash, The Ultimates, Black Lightning, Green Arrow, and countless more: Brad Anderson, Jason Fabok, Gary Frank, Bryan Hitch, Geoff Johns, Rob Leigh, Lamont Magee, Francis Manapul, Brad Meltzer, Ivan Reis, Peter Snejbjerg, Peter J. Tomasi, and Maytal Zchut.

“Ghost Machine was created to disrupt the status quo with an innovative business model giving character and company ownership fully to its creators. But we didn’t build Ghost Machine only for our present generation, we very much envisioned it to include the superstar creators of tomorrow. This scholarship not only honors the importance of The Joe Kubert School within the industry, but it allows us to pay it forward by building an environment that supports, mentors and helps elevate new and aspiring talent,” said the Ghost Machine creators in a statement.

Anthony Marques, President of The Joe Kubert School, said: “Not only has Ghost Machine established itself as a powerhouse in the comics industry, their dedication and belief in nurturing the next batch of incredible comic artists and writers aligns with our mission at The Joe Kubert School. The Ghost Machine Scholarship is not just an opportunity for one of our students; it’s also a launching point for them to jumpstart their career and provides mentorship for all of the Joe Kubert School students. We couldn’t be prouder to partner with our friends at Ghost Machine and look forward to the wonderful work that is about to be created!”

Ghost Machine #1, the company’s highly anticipated one-shot that introduced its lineup of new and original characters and shared universes, was a critical and commercial success, reaching #1 on bestseller lists when it published in January 2024. A Top 10, triple sell-out followed in April with Ghost Machine’s first monthly titles: Geiger #1 (Geoff Johns/Gary Frank/Brad Anderson/Rob Leigh), Redcoat #1 (Geoff Johns/Bryan Hitch/Brad Anderson/Rob Leigh) and Rook: Exodus #1 (Geoff Johns/Jason Fabok/Brad Anderson/Rob Leigh). The Top 10 run was continued by each title’s second installment this month and third issues hit shelves in June. Ghost Machine’s horror universe Hyde Street (Geoff Johns/Ivan Reis/Brad Anderson/Rob Leigh) will unleash scares this fall, and its Family Odysseys titles The Rocketfellers (Peter J. Tomasi/Francis Manapul/Rob Leigh) and Hornsby & Halo (Peter J. Tomasi/Peter Snejbjerg/Brad Anderson/Rob Leigh) will round out the year on a lighter note. All of Ghost Machine’s titles are published through Image Comics. In an industry first, all of Ghost Machine’s creators jointly own and run the company, sharing in all of Ghost Machine’s publishing, media, merchandising and licensing. Each creator is exclusive to the company for their comic book work after completing projects already committed to.

ABOUT GHOST MACHINE:
Ghost Machine’s groundbreaking creator collective was launched at New York Comic Con in October 2023 and features a global best-of-class lineup of artists and writers whose award-winning and iconic works include a who’s who of comic book legends such as Batman, Superman, Spider-Man, Aquaman, Stargirl, JSA, The Flash, The Ultimates, Black Lightning, Green Arrow and countless more: Brad Anderson, Jason Fabok, Gary Frank, Bryan Hitch, Geoff Johns, Rob Leigh, Lamont Magee, Francis Manapul, Brad Meltzer, Ivan Reis, Peter Snejbjerg, Peter J. Tomasi, and Maytal Zchut. In an industry first, all of Ghost Machine’s creators jointly own and run the company, sharing in all of Ghost Machine’s publishing, media, merchandising and licensing. Each creator is exclusive to the company for their comic book work after completing projects already committed to.

Comic News Roundup: Comics News for the week of 10/16/2020 -10/23/2020

Comic News Roundup: Comics News for the week of 10/16/2020 -10/23/2020

Welcome back to our new feature Comic News Roundup. Here, we give you a run down of the news from comic book publishers and other pop culture news that was released throughout this week. We have news from Baltimore Comic-Con, AfterShock Comics. DC Comics, Diamond Distributors, Z2 Comics, and Boom! Studios.


Baltimore Comic-Con

This coming weekend is the first virtual running of one of the best comic conventions of the year. Baltimore Comic-Con has engaged the folks at Mainframe Comic Con to help put together one heck of a lineup of live virtual programming.

Baltimore Comic-Con has traditionally been known and praised as a convention that puts comic books first, and this weekend’s programming reflects that theme. There are a bunch of comic creator spotlight panels and themed sessions with creators talking about current and past comic projects.

There are live Q&A panels planned and private creator Meet & Greets available for purchase. There are links to the sites of creators, retailers, and publishers who would have been on the floor of the Baltimore Convention Center in any other year.

The jewel of the weekend for me is the live broadcast of the 2020 Ringo Awards on Saturday at 8:00PM EDT. This year it is hosted by Kevin Smith with a keynote speech by Geoff Johns. You can find a list of the nominees for this year here.

 


AfterShock Comics

This week AfterShock announced I Breathed A Body, a new horror series debuting in January 2021. This book is from writer Zac Thompson and artist Andy MacDonald. Here is the description from AfterShock.

“When the world’s biggest influencer posts something irredeemably horrific online, the world changes in an instant. Now it’s up to his social media manager to fan the flames of outrage and create a sensationalist campaign that rewrites the rules of “banned content.” Thus begins a carnival of lust, revulsion, desire and disgust – all for viral videos.”


DC Comics

Art by Dan Mora

This news is about a week old but DC Comics has announced a two month hiatus from the books that remain in the monthly comic line and having a new event called Future State.

They have lined up a great mix of creative talent to explore near and far future iterations of many of the main characters in their universe. After the January-February event concludes, DC has said that there books will continue the storylines from 2020 and start new arcs for 2021.

DC Executive Editor Marie Javins had this to say:

“The DC Universe has always been fertile ground for new and refreshing takes on our characters, and DC Future State definitely contributes to this legacy. When the event begins in January, some savvy readers will not only pick up on some of the breadcrumbs that have already been tossed out in our current titles, but they will also find new hints and clues of what’s to come in 2021.”

There have been a lot of hard feelings about the business and distribution decisions that DC has made this year, but I have to say that this event promises to be very interesting and the art looks amazing. Continue reading “Comic News Roundup: Comics News for the week of 10/16/2020 -10/23/2020”

Brainiac On Banjo #084: Me See DeeCee TeeVee

Brainiac On Banjo #084: Me See DeeCee TeeVee

Sweet Little Sixteen / She’s got the grown up blues / Tight dress and lipstick / She’s sportin’ high heal shoes / Oh, but tomorrow morning / She’ll have to change her trend / And be sweet sixteen / And back in class again. – Chuck Berry, Sweet Little Sixteen, 1958.

It seems that almost everybody is using their confinement to catch up on all kinds of television — mostly streaming or DVRed (that’s a verb now, right?). So, lapsing back into my traditional role as August Contrarian, I’ve decided to do a little catch-up on my book reading. Right now I’m about two-thirds of the way through Meyer Levin’s The Old Bunch, written in 1937. That’s only 35 years longer than I’ve had it on my shelf. As Brian Wilson and Mike Love said, I get around. Eventually.

But mopery is a force of my nature, so I have been watching a bit of teevee. Besides, I’ve never gotten a paper cut from watching television. I’ve been watching Stargirl, the latest presentation from Warner Bros.’ DC Comics think tank. The former goes up on both the DCUniverse streamer and The CW this coming week. Pop Culture Squad HBIC Adriane Nash (that’s what it says on her business card) and I had the privilege of watching the first three episodes of Stargirl, and my comments that follow come from the totality of this experience. Spoiler Alert: There really aren’t any spoilers here. Sorry.

Let it be said that I am a Justice Society fan — certainly the original creation, as well as most of its subsequent reincarnations. The JSA was the thing to collect when I was Li’l Fanboy, along with EC Comics, Carl Barks and The Spirit, and I remain a big fan of all four. Indeed, I now get nostalgic for nostalgia.

Stargirl is based upon the 1999 title Stars and S.T.R.I.P.E.S. by Geoff Johns, Lee Moder and Dan Davis, with James Robinson riding shotgun on the first issue, which was #0. Yes, the comics racket remains mathematically challenged. The series lasted 15 issues, ending with #14 (reread the previous two sentences), and it was a conflation of the original Star-Spangled Kid, Starman(s), and various versions of the JSA as well as the JSA’s lame doppelgänger, The Seven Soldiers of Victory. A cute teenager discovers Starman’s cosmic belt as she discovers her step-father was the Star-Spangled Kid’s sidekick, Stripesy. Like all smart, precocious comic book teen-age characters, she wants to become a costumed superhero. Stripesy, being her dad, is not keen on the idea but seeing as how he’s got a huge Transformers-wannabe robot suit gathering dust in the garage, he supervises his stepdaughter while on the fly.

I loved the series. I was annoyed it got shitcanned after 15 issues… the last being #14, remember? I’m a jaded old fart — that goes hand-in-hand with being an August Contrarian — and I think Geoff did a wonderful job bringing teen-age angst into the story in a fashion that makes the reader root for the kid while still sympathizing with the concerns of her parents.

So I was quite pleased that the greater Warner Bros. empire chose Stargirl as the newest wing in the DCU mansion, but I was a hell of a lot more pleased that Geoff Johns created the teevee series, is writing it, and is an executive producer. That’s pretty damn rare; off-hand, I can’t recall that happening since The Many Loves of Dobie Gillis, a show so ancient that some readers might need to IMBD it. Television scripts always go through a lot of hands and by the time it’s being filmed it’s got more notes than Gustav Mahler’s Symphony No. 3. Remarkably and to its credit, the shows I saw still maintain the feeling of Johns’ work, as well as his story.

I’m not letting any cats out of my collection of trick bags when I say that JSA fans of all… stripes… likely will enjoy the hell out of the third episode. It pleased my Li’l Fanboy heart to no end.

Like all DCU-CW series (and now, post-Crisis, much of the rest of their sundry media universes), Stargirl is fraught with continuity possibilities. I’m not saying she’ll show up in the next big-ass crossover, and I doubt the Powers That Be will let Stargirl get too close to John Constantine. That’s reasonable, but if Geoff wants to consider that a challenge, hey, who am I to pour cold water on a jail bait story?

I do have one question. If you’ve read any new Superman family stories over the past few years, you’ve seen the legend “Created by Jerry Siegel and Joe Shuster. By special arrangement with the Jerry Siegel family.” The creator credit also appears on the Supergirl CW show as well as other media derived from The Man of Steel. This was part of the end result of about 70 years of legal wrangling, and all accurate creator credits are well-deserved. Jerry Siegel also created the Star-Spangled Kid and Stripesy. Shouldn’t there be a creator credit for Jerry as well?

Yeah, I know. But I’ll ask again when Steve Amell returns as The Spectre.