Tag: EC COMICS

Brainiac On Banjo #061: Charlton Comics Goes To War!!

Brainiac On Banjo #061: Charlton Comics Goes To War!!

The Unknown Anti-War Comics!, by Steve Ditko, Ross Andru, Joe Gill, Denny O’Neil, Pat Boyette and others, edited by Craig Yoe • Yoe Books!-IDW • $29.95, 226 pages

Back when the three of us were laboring over at the DC Comics factory, I was blessed with having my office between those of Denny O’Neil and Archie Goodwin, two of the finest comics practitioners in American history. If they were to be branded A-listers, we would need to invent a new first letter for our alphabet. I’m going to start with Archie, but don’t worry. Denny comes into this story later.

Back around 1992 and 1993, Archie and I started frequenting a swell midtown restaurant where New York Times executives often brought advertising clients. Remember, this was about 16 years before Robert Downey Jr. and Jon Favreau put our beloved medium on the legit. Usually, our passionate conversations revolved around two subjects: frighteningly radical politics, and comic books; particularly EC Comics. To the chagrin of the over-wrought suits sitting within eavesdropping distance, we would conflate the two.

Of all of Archie’s massive achievements as a writer and an editor, my personal favorite is the four-issue run of Blazing Combat, the black-and-white war comic published by Jim Warren with the Frazetta covers and interiors drawn by Alex Toth, John Severin, Reed Crandall, Joe Orlando, Gene Colan, Wally Wood… you get the point. The series was influenced by Harvey Kurtzman’s Two-Fisted Tales and Frontline Combat for EC Comics, and all the above-mentioned artists had drawn stories for Kurtzman. Archie was too young to have written for them, but he was a member of the EC Fan-Addict Club (fan-addict > fanatic, get it?). Continue reading “Brainiac On Banjo #061: Charlton Comics Goes To War!!”

Brainiac On Banjo #059: Four-Color Audio!

Brainiac On Banjo #059: Four-Color Audio!

In certain circles, I am known as a radio drama fanatic… and, of course, in certain pentagrams as well. Not just the old stuff whose echoes faded as television became a thing, but the new efforts as well. Even more so.

Full-cast audio means exactly what it’s labelled. Gather up a bunch of perfectly-selected actors, give them a well-written script, an awesome array of appropriate sound effects, a digital recording facility with more computing power than the Mars Rover, a director to beat the band and a producer whose pen ever runs out of ink, and together they tell fantastic stories into the microphones.

The listener provides the visuals. As such, the crew is ripping your sense of wonder out of your very soul and encouraging you to paint all those pictures within the comfort of your very own brainpan. As such, this is a perfect medium in which to grow heroic fantasy. Here, all the work percolates in your head and you become such a vital part of the production team that, really, you should ask for royalties. Continue reading “Brainiac On Banjo #059: Four-Color Audio!”

Continued After the Next Page #009: Conversation with John Workman – An Oral History of Comics

Last summer, as we were getting this site up and going, one of the first things that I did was reach out to legendary comic letterer and artist John Workman. I had met him at a couple of conventions in the past, and he had told me some interesting stories about how comics were made in the 1970’s and 1980’s. I felt that the stories were amazing insights into the world of comic making, and I wanted to get all the details so that we could share those incredible stories with all of you.

My intent for our initial interview was to clarify some details he had told me about making Thor in the 80’s with Walter Simonson. What ended up happening was an almost two-hour conversation and a truly life changing event for me. I clipped out a little bit of our conversation for a column last year called When Thor Road the Bus.

Before I get too far along, I must say that John Workman is one of the nicest people that I have ever met. He is thoughtful, considerate, inquisitive, and incredibly talented. Since our initial phone conversation, John and I have spoken a couple of more times over the phone, and my wife and I spent a lovely afternoon with John and his wife Cathy at their home last November. He has become a regular email pen pal of mine. I consider John a friend, and I am lucky for it.

The purpose of this article is to share with the world some of the amazing things that we spoke about. The topics range from the page counts for comics in the 70’s to his time at Heavy Metal. There are some funny stories about Harlan Ellison and Wally Wood. There is the tale of the “Lost Mignola Batman Story”, and much more. So hang on and I will try my best to navigate all this history and bring it into the world so that we can all share in its wonder.

Jeannette Kahn and Dollar Comics

I had mentioned to John that the title to my column on PCS would be called “Continued After the Next Page” as a throwback to comic days of yesteryear. He broke out into some pretty cool comics production history.

John Workman: I worked at DC from 1975 to 1977 before I went to work at Heavy Metal. During that time, as had been true since the early 1950s, there were thirty-six pages [thirty- two interior and four for the front and back covers] in a regular comic book. Of those pages, somewhere over 20 (27 in the ’60s) were devoted to actual comics material with the rest being made up of a combination of paid ads and “house ads” that let readers know about other DC publications. Shortly after I arrived at DC, the number of comics pages dropped to seventeen, and I remember two things that we had to do. We [the production department] had to white-out all the pages numbers down in the corner so people would be a little less aware that they were only getting seventeen pages of comics, and we had to go in a lot and put in “Continued After Next” or “Second Page” or whatever, because the seventeen pages of comic material was broken up by more ads. There were a lot of in-house ads to fill out the issue because seventeen pages was only one more than the total number of pages in a book.

I was shocked at this and felt the need to clarify Continue reading “Continued After the Next Page #009: Conversation with John Workman – An Oral History of Comics”