Welcome back to another spotlight interview. In this session, we talked with comic writer Frank Gogol.
Frank Gogol is a comic writer who if following up the hit series Dead End Kids with his latest creator-owned story, No Heroine. He is an alumnus of the Comic Experience program and also produced the Ringo Award nominated anthology Grief. All three of those books are published by Source Point Press.
No Heroine is a three issue mini-series on which he is working with Chris Madd on art, with colors by Shawna Madd and letters by Sean Rinehart.
We spoke to Frank in May, and below, is the result of that conversation.
You can find the audio recording of our discussion below, and we transcribed a big portion of it for you as well.
We hope you enjoy the conversation.
Pop Culture Squad: Frank! Welcome back to Pop Culture Squad.
Frank Gogol: Good to see you again or to hear you again, I suppose.
PCS: Sure. So, let’s start out with this. We are on the verge of a new “Frank Gogol” story. What do you want people to know about No Heroine, in terms of the story?
FG: That is a big question. I’ve been talking about this book for, what is it the middle of May, for about six months now, and I still don’t really know how to say everything succinctly. I guess, this is my love letter to Buffy, The Vampire Slayer. I grew up on Buffy. I started watching Buffy, the Vampire Slayer way too young. I was eight when it premiered in 1997, and I’ve been watching it pretty religiously ever since.
So, I was a little too young for it, but I watched it and knew sort of immediately, instinctively, it was something different, something special. I always loved the storytelling, and it has definitely informed my storytelling. Joss [Whedon] is a dark guy. He writes these stories, and he really sticks the knife in and twists it. I think that’s the stories I try to tell. It’s definitely the case in No Heroine. It doesn’t pull a lot of punches, it’s a dark book about a young woman dealing with drug recovery, and there are vampires too, I guess. But that isn’t really the point.
PCS: I think that is a good starting point. This book is clearly not the slice-of-life or reality-based books that I have read of yours. How did you find having the shackles of human-only characters being removed? As you said, it’s not necessarily a vampire book. There are vampires in it, but there ARE vampires in it?
FG: When I starting writing four years ago last month, and I remember about that time right before and right after. I was sort of setting down some sort of principles or pillars for myself as a writer, like the kind of stories I want to tell and the things that I would not do and things I would do. One of the things I said I would do, and I think I stuck to this pretty well, was to tell character forward stories and have a genre and action take a back seat in favor of really good character work. Weather its good or not, it’s definitely taken a front seat. Definitely in Dead End Kids and definitely in Grief.
In this book, I wanted to do the same thing. So, the vampires are not an afterthought in the story but an afterthought in the creation of the story. I wanted to tell a story that gave a fair and honest, sort of “gray space”, look at the recovery part of addiction. We have a lot of pop culture that deals with addiction. We see this sort of phase of people’s lives where they are using drugs, and we see the rehabilitation phase quite a bit, but we don’t usually see the part that comes next, which is, for the people who find success in rehab, the recovery phases. Continue reading “Squadcast Spotlight Interview with No Heroine writer Frank Gogol”
