Tag: c2e2

First Comics 40th Anniversary at C2E2

First Comics 40th Anniversary at C2E2

This year is a momentous anniversary at Pop Culture Squad. The independent comic book company First Comics launched forty years ago  and published its first issue in March of 1983. Mike Gold, one of our key contributors at PCS, was the founder and editorial director at First.

First Comics was the little comics company with some of the biggest stars in comics before comic superstars was a thing. Names like Mike Grell, Howard Chaykin, John Ostrander, Timothy Truman, Jim Starlin, Mike Baron, and Steve Rude are just some of the comics greats who were regulars at First. It was fertile ground for independent creator-owned comics. The genres included superheroes, science-fiction, space fantasy, spy thriller, political satire, humor, and more. The publisher produced interesting comics that challenged the larger publishers to adapt. They innovated by producing the first digitally created comic in Shatter, by Peter B. Gillis and Mike Saenz and bringing the manga title Lone Wolf and Cub to American readers. Continue reading “First Comics 40th Anniversary at C2E2”

Brainiac on Banjo: Bond… Hoagy Bond?

Brainiac on Banjo: Bond… Hoagy Bond?

Have no fear, look who’s here… James Bond… They’ve got us on the run… With guns… And knives… We’re fighting for our lives. – Casino Royale, written by Burt Bacharach and Hal David.

The US release of the first James Bond comic book.

Sherlock Holmes. Tarzan. Superman. James Kirk. James Bond. The public’s continuing appetite for heroic fantasy superstars has long been well established, and ever since communication went mass they have been at the center of the most prevalent form of entertainment worldwide. This is a truth that validates our low-brow culture: it turns out that both boys and girls just want to have fun.

Not all such characters live forever. Tarzan, like The Lone Ranger, The Shadow, Bulldog Drummond and many other superstars of action, are in serious danger of being relegated to the storage stacks of cultural history. Of course, that death need not be permanent: Doctor Who, Star Trek and several others have been successfully resurrected and modernized without destroying the fabric of their creation.

When it comes to one of the most successful heroes, at the present we are on hold. Daniel Craig has retired as the latest James Bond and, even though the next Bond flick is just entering its development stage I can’t help but wonder how they’ll pull off James’ inevitable resurrection. Continue reading “Brainiac on Banjo: Bond… Hoagy Bond?”

Brainiac On Banjo: Tits and Boobs and Breasts… Oh, My!

Brainiac On Banjo: Tits and Boobs and Breasts… Oh, My!

“‘Tits’ doesn’t even belong on the list! That’s such a friendly sounding word. It sounds like a nickname. ‘Hey, Tits, come here, man. Hey! Hey Tits, meet Toots. Toots, Tits. Tits, Toots.’ It sounds like a snack, doesn’t it? Yes, I know, it is a snack. But I don’t mean your sexist snack! I mean New Nabisco Tits!, and new Cheese Tits, Corn Tits, Pizza Tits, Sesame Tits, Onion Tits, Tater Tits. ‘Betcha Can’t Eat Just One!’ That’s true. I usually switch off.” – George Carlin, The Seven Words You Can Never Say on Television

Of course there are a lot of things going on in this world that confuse me, and I suspect that might be true with you as well. Much of that confusion comes from America’s new environment of interpretive truth. To be fair, that is exacerbated by our politically correct atmosphere — that which the Christian Nationalists, dullards and assholes call “woke” because they can’t cope with five extra syllables.

One of the things that confuses me, and it has for quite some time now, is the proper euphemism for breasts. Oh, c’mon. It’s not like we don’t all have them. I realize the holy-moly rounders are not allowed to say “breasts” unless they’re in a Chick-fill-A and their hunger overwhelms their religious angst. Yes, I’m looking at you, Mike Pence.

From watching television commercials these days, it is clear that the word “boobs” is the current preference. Some find the word “tits” to be rude or even outright disgusting. Whereas boobs sounds like it’s more fun than tits (which is nonsense; they are equally fun), I don’t quite get it. The Oxford Dictionary defines boob as “a foolish or stupid person” and, second, as “an embarrassing mistake.” The whole breast thing is noted further down the listing. Continue reading “Brainiac On Banjo: Tits and Boobs and Breasts… Oh, My!”

Continued After the Next Page #022: Planning Panels and Conventioning in the Windy City and Ithaca

Continued After the Next Page #022: Planning Panels and Conventioning in the Windy City and Ithaca

In the “before times”, people would come to the gathering place and wander the concourse taking in the sights purchasing shiny wares with no fear of deadly disease. That was three years ago. Are we back to that point? Probably not, and probably not for a while still, but we are getting closer.

Comic convention season is back in full force. That break in con scheduling that we normally have from before the December holidays until late February didn’t really happen this year. Most people seems to be willing to return to the circuit with little concern for the pandemic creating coronavirus. The best part of this is that my social media feeds are not filling up with tales of infections or even the dreaded con-crud.

All of this has me even more excited to begin my 2023 convention season in a couple of weeks. Your intrepid correspondent will be part of the press contingent at the Chicago Comic & Entertainment Expo, more commonly known by its geek friendly acronym C2E2. I will be walking the floors all three days talking to exhibitors and fans and checking out some of the interesting panel programming.

However, the most exciting panels, in my not so humble opinion, will take place on Sunday April 2, 2023. I will be hosting two panels a Reed event for the first time in my career, and I am beyond excited. Continue reading “Continued After the Next Page #022: Planning Panels and Conventioning in the Windy City and Ithaca”

So Long and Thanks for the Fish, Man #083: Creative Devolution

So Long and Thanks for the Fish, Man #083: Creative Devolution

In a few short weeks, Unshaven Comics kicks off our 2023 convention season with a trip… home. After applying and failing to gain admittance to C2E2’s Artist Alley, our FOMO kicked in, and we grossly overpaid for a small press booth. For those coming out to the show who’d like to rub it in? We’ll be at SP12 — in the small press area between Artist Alley and the autograph lanes. 

Here’s the funny part — to me at least. I was the one who felt the biggest pangs of pre-regret when the small press table contract was sent to us. I was the one who all but told my Unshaven mates “we’re doing this show even if we break even”. This knowing we’re still a few months away from a new Samurnauts issue being ready. This knowing all we have new is the awesome Blooms: Heist on the Magical Girl Vault that Kyle completed last year with Stephanie Mided. 

Nerf gun to our collective heads? Unshaven feels like this show won’t feel like some amazing homecoming. Especially because Blooms did debut in Chicago… Last year. At the massively underwhelming Fan Expo Chicago (the mutated carcass of the original Chicago Comic Con, aka Wizard World Chicago). We moved 43 copies at that show, and honestly, that was pretty good all things considered. So, we waltz into C2E2 praying that the fans walking in did not attend Fan Expo last year — or if they did, they somehow missed us.

So, knowing that we’d need to hit decent-to-awesome revenue numbers at the show to make back our booth cost, enter desperation! 

With limited time and maximum flop sweat, I looked to my personal cash cow — PokeMashups — to hopefully give us a little buzz.. Since I started offering these silly things, I’ve personally seen continuous exponential growth. 

Before I talk about our hail Mary for success…A bit of backstory for the uninitiated. Continue reading “So Long and Thanks for the Fish, Man #083: Creative Devolution”

Spotlight Interview with Comics Writer Alex Paknadel

Spotlight Interview with Comics Writer Alex Paknadel

Alex Paknadel is a rising star in the field of comics writing. In 2019, he has completed his highly acclaimed first series with Vault Comics called Friendo. He has continued as the writer of the Lion Forge book Kino, which is set in the Catalyst Prime universe. He also wrote a four-part mini-series for Valiant called Incursion.

After breaking into the comics scene in 2015 with Arcadia from Boom! Studios, he has developed a reputation for thought-provoking storytelling. Often his topics cover deep socio-political subjects, but he can write a super-hero fight scene with the best of them. If you follow our Preview Reviews or Everything We Read columns, you will find Alex show up regularly there.

We caught up with Alex in Chicago at C2E2 in March, and this interview was captured then.

PopCultureSquad: Recently [in March 2019] there was an announcement that you and your White Noise studio mates [Dan Watters, Ram V, and Ryan O’Sullivan] have new books coming from Vault Comics. What can you tell us about that?

Alex Paknadel: We’ve re-upped with Vault for another tranche of books for 2019-2020. Dan Watters and I have started work on a book called Earthcrosser, which is being gorgeously illustrated by a brilliant Scottish artist named Pablo Clark. Ram and Ryan’s plans for 2020 are well-advanced too, so expect great things.

PCS: Ok, and you guys know what you are doing? You are excited about the new books?

AP: Yeah, we were able to get fantastic creative teams for the first wave of books, and we have managed to at least equal the quality of creative talent for this next set if not go beyond that.

We have been viewing Vault, and I hope they don’t get upset for me saying this but, as sort of an outlet for our “Boutique Books”. These are the ones where we take big risks.

PCS: Are they the ones that are most personal? Continue reading “Spotlight Interview with Comics Writer Alex Paknadel”

Spotlight Interview with Comic Legend Gene Ha, Creator of Mae

Spotlight Interview with Comic Legend Gene Ha, Creator of Mae

Hey! Welcome back to our special feature Spotlight Interview column. When we are fortunate enough to get to talk to creative professionals, we love to bring those conversations to you folks.

Last month on March 24, 2019, we were able to get together with comic legend Gene Ha and talk about his current project and his career in comics.

Gene is well-known for working with Alan Moore on Top 10 from the America’s Best Comics imprint of Wildstorm. He has done work for DC, Marvel, Dark Horse, and Malibu comics. Gene has won four, count them folks, four, Eisner Awards.

Beginning in 2015, Gene has focused mostly on his creator owned stories. His all ages story Mae was originally published by Dark Horse and has now been picked up by Lion Forge. It is the story of sisters, monsters, and magical dimensions. The second volume is finishing up in single issues and the first volume trade was re-released last year. We are big fans of Mae.

PopCultureSquad: What is your process like these days? Are you still using traditional materials or are you moving to digital?

Gene Ha: Honestly, I have hit the bifocals age. So, it’s hard for me to see anything except for the two distances where my lenses are set.  Having pinch and zoom on an iPad Pro in Procreate and drawing there is a lot easier for doing fine detail. So, I have abandoned paper mostly, unless I am doing sketches at a convention.

PCS: Where does Mae’s voice come from?

GH: It comes from having a lot of female geek friends and realizing that I hadn’t heard a lot of voices that actually talk like them, who are the heroes of their story. There are so many stories that have a female geek character, but she tends to be support or the best friend of the hero.

Continue reading “Spotlight Interview with Comic Legend Gene Ha, Creator of Mae”

Spotlight Interview with the Creators of Grumble: Mike Norton and Rafer Roberts

Spotlight Interview with the Creators of Grumble: Mike Norton and Rafer Roberts

Hey! Welcome back to our special feature Spotlight Interview column. When we are fortunate enough to get to talk to creative professionals, we love to bring those conversations to you folks.

Last month on March 24, 2019, we were able to get together with the creative team behind the hit comic series Grumble, published by Albatross Funnybooks.

We interviewed artist Mike Norton, and writer Rafer Roberts at their tables on the floor at C2E2.  The pair have previously worked together on Valiant’s Archer and Armstrong.

Mike is a veteran comic artist, having also done work for DC, Marvel, Dark Horse, and Devil’s Due. He is also well-known for the multiple award winning webcomic BATTLEPUG that he both writes and draws. Last year, he published a collected edition of his web comic strip Lil’ Donnie which is a satire of a certain orange infant that resides in a big white house.

Rafer is a writer and artist who has done a lot of work for Valiant, including Harbinger Renegade, and also wrote Modern Fantasy that was published by Dark Horse.

Grumble is a comic about a guy that magically gets turned into talking pug, and with his companion Tala, is on the run from multiple entities that are out to get him. It is fun and action packed. The writing and art are top notch, and the colors by Marissa Louise and lettering by Crank! make this an excellent book all around.

Pop Culture Squad: Where did the idea for Grumble come from?

Rafer Roberts: It started with Mike.

Mike Norton: I’ve always got pugs on the brain. That is not like a hidden thing about me, but I really was longing for a “Howard the Duck” sort of thing. I love those adventures with a character that you can sort of relate to, but it’s a completely alien sort of creature. I don’t know how it happened in my head, but one day I said out loud to the other guys in the studio, “What if John Constantine was Howard the Duck?”  Everybody hates John Constantine, but what if people didn’t want to be around him, not because he was bringing the devil or he was dangerous, but he was just an asshole. Continue reading “Spotlight Interview with the Creators of Grumble: Mike Norton and Rafer Roberts”

Walkin’ and Rollin’ Making Cosplay Accessible for Everyone!

Walkin’ and Rollin’ Making Cosplay Accessible for Everyone!

When attending a modern Comic or Entertainment convention, it is almost impossible to avoid sensory overload. There are so many fantastic colors and shiny objects that draw your attention from second to second. Despite that massive onslaught of distractions, in the first hour on the floor of C2E2, our attention was grabbed by two little boys. They were in full cosplay costumes. One was Ant-Man, and the other was Woody from Toy Story. Pretty cute! Right?

What made these two little guys stand out to us was that they were in wheelchairs, and their personal transport vehicles were made to be a part of their cosplay. It was precious. We asked and were granted permission to take their pictures. They seemed to really enjoy it.

We made sure to include their pictures on our Facebook page, and they got quite the reception. Later on, during the Con, I stumbled across the booth for the people who helped to make those little boys’ dreams come true.

Walkin’ and Rollin’ is a non-profit organization that works to create costumes for mobility limited children. The founder Lon Davis created the organization in 2015 in Missouri. They now have multiple chapters in Kansas and California and are working to bring joy to young people everywhere. They appear regularly at PlanetComicon in Kansas City and made there debut in Chicago at C2E2 this year.

It is a fully set up non-profit organization. We encourage all readers to check out there website an consider what they can do to support this wonderful organization. They are even available to make as your designated charity on smile.amazon.com.

We here at Pop Culture Squad reached out to Lon and were able to ask him about the organization.

PopCultureSquad: We see from your website that this started with a desire to create a costume for your son. When did you start building costumes for other people? Continue reading “Walkin’ and Rollin’ Making Cosplay Accessible for Everyone!”

Spotlight Interview with the Creators of The Underfoot (Emily Whitten, Ben Fisher, and Michelle Nguyen)

Spotlight Interview with the Creators of The Underfoot (Emily Whitten, Ben Fisher, and Michelle Nguyen)

This month, Lion Forge will be releasing the first volume of The Underfoot: The Mighty Deep. It is the first of what will be at least a trilogy of graphic novels that are suitable for all ages of readers. It will be in comic shops on April 10, and everywhere else on April 23.

It is a post-apocalyptic story of intelligent hamsters and their struggles for survival in a world without humans. We have had the opportunity to read the book, and it is truly a wonderful and inspiring story. It is full of danger, clever concepts, and lots of humor. We certainly recommend reading it.

At C2E2 last month, we were able to get together with the creative team responsible for The Underfoot. It is co-written by Ben Fisher and Emily S. Whitten. Michelle Nguyen is the artist on the book.

PopCultureSquad: Where did the idea for The Underfoot come from?

Emily S. Whitten: So, I have tiny hamsters and other rodents as pets, and I was on Twitter managing an account as my tiny hamster, Izzy. Around the same time, I reviewed Ben’s comic Splitsville, for ComicMix. I guess that was seven years ago. I tweeted at him that I really liked it. Ben then found my hamster account and started tweeting at that account as well. After many real and hamster conversations, we decided that we should write a comic together about hamsters, and that is how it started.

Continue reading “Spotlight Interview with the Creators of The Underfoot (Emily Whitten, Ben Fisher, and Michelle Nguyen)”