Tag: Black Label

Reviews: New Number Ones for the Week of 6/2/2021 – Basilisk #1, The Nice House on the Lake #1, Out of Body #1, and The Worst Dudes #1

Reviews: New Number Ones for the Week of 6/2/2021 – Basilisk #1, The Nice House on the Lake #1, Out of Body #1, and The Worst Dudes #1

It has been a while since we did one of these, but if you are new here, this column is designed to bring you reviews of new comic book series that came out this week. We will try to focus on independent and original series for the most part. This week we have four books for you. They are from DC Comics, AfterShock Comics, Dark Horse Comics and Boom! Studios.

You will usually find the books that we review in this space on our month list of New Number Ones.

Three of the books that we reviewed have heavy conflicts with somber moods and one is a hilariously entertaining romp.

This week we will bring you our thoughts on: Basilisk #1, The Nice House on the Lake #1, Out of Body #1, and The Worst Dudes #1

Check out the reviews below in alphabetical order:

Basilisk #1
Boom! Studios
Written by Cullen Bunn
Art by Jonas Scharf
Colors by Alex Guimarães
Letters by Ed Dukeshire
Cover Art by Scharf

9.03

This book is excellent. The entire creative team lends wonderful craftsmanship to the completed work. The pacing of the beginning pages sets a foreboding mood and the colors marry perfectly with the tone of the line art. There is not a lot of dialogue but Ed Dukeshire does a great job laying it out. Cullen Bunn crafts an interesting premise in this first issue that portends an epic supernatural conflict in the coming issues. We are looking forward to more.


The Nice House on the Lake #1
DC Comics / Black Label
Written by James Tynion IV
Art by Álvaro Martínez Bueno
Colors by Jordie Bellaire
Letters by Andworld Design
Cover Art by Martínez Bueno

9.35

James Tynion has done it again. This book is gripping. There is an opening sequence that sets the stage for this book, but we were sucked into the backstory that occupies the majority of the book, and it is captivating. This is a super dense first issue, but it flows nicely. The art is simply gorgeous, and Jordie Bellaire’s colors are sublime. The story is paced so well, and the end of the book raises the stakes to a level that belies the innocuous narrative that makes up the middle section of the book. We are on the edge of our seat waiting for the next issue.


Out of Body #1
AfterShock Comics
Written by Peter Milligan
Art by Inaki Miranda
Colors by Eva De La Cruz
Letters by Sal Cipriano
Cover Art by Miranda

9.00

This is book is haunting in multiple ways. Peter Milligan is again developing an intriguing supernatural mystery. The point of view shifts between two primary characters as they interact on the fringe of each other’s existence, and that technique is executed marvelously. Inaki Miranda’s linework is wonderful, particularly the facial acting. The colors by Eva De La Cruz are nothing short of spectacular, and Sal Cipriano’s lettering is critical to maintaining the reader’s focus through the multiple scene and point of view changes. Well done all around.


The Worst Dudes #1
Dark Horse Comics
Written by Aubrey Sitterson
Art by Tony Gregori
Colors by Lovern Kindzierski
Letters by Taylor Esposito
Cover Art by Gregori & Kindzierski

8.35

This book is a raucous romp. It is a completely different mood from the other books on this list. While Aubrey Sitterson is developing an interesting narrative, the story is full of outrageous and edgy imagery. The book is a fun space adventure. The innovative character designs by Tony Gregori are well crafted. The bright and iridescent colors that Lovern Kindzierski uses let you know not to take this too seriously and fit the tone of the book. Taylor Esposito’s letters are a wonderful addition to the book. A very enjoyable read.


DISCLAIMER: 

We use a 4 star rating system. It is simple and not to be taken too seriously. Everyone has their own impressions of art. These ratings are just to give our readers an idea of what we thought of the book, and they will be on the generous side, normally. So don’t expect to see a lot of 1 Stars. After all, it’s not often that you have a bad book on your pull-list.

The rating system is as follows:

  • Great
  • Good
  • OK
  •  No
With Further Ado #95: Go Big [or Go] and Stay Home

With Further Ado #95: Go Big [or Go] and Stay Home

We all know that phrase: Go Big or Go Home!  It’s a clarion call to seize the day and to live large. It’s not always the best advice, but sometimes it’s just what’s needed.  So during this crazy lockdown time, let me call your attention to a few treasures that literally decided to “go big!” while we all stay home.

 

Joker/Harley Quinn Criminal Sanity
Written by Kami Garcia
Art by Mico Suayan and Mike Mayhew
Black Label, an imprint of DC Comics

While I’m generally not a big Harley Quinn fan, I’ve been a big Mike Mayhew fan ever since his days on Topps’ Zorro and Lady Rawhide with the incomparable Don McGregor.  Mayhew has gotten even better over the years, and today he entertains readers with his off-the-charts artistic talent in the new Joker/Harley Quinn series.

This story is a multi-part series told in thirty-two page increments in DC’s oversized Black Label format. To me, it has the feel of a European comic. Much of story is told in B & W , and that makes it so very, very  evocative of an old Warren or Marvel Magazine.

The “other artist” Mico Suayan, is just fantastic. I’ve enjoyed his work on Valliant’s Bloodshot. Suayan unfurls his artistic wings with majesty and grace in this larger-than-usual formal. Continue reading “With Further Ado #95: Go Big [or Go] and Stay Home”

Brainiac On Banjo #063: Again With The Event Bitching?

Brainiac On Banjo #063: Again With The Event Bitching?

Bitch, bitch, bitch. Sigh. It’s a living…

For about three decades, I’ve been bitching about how our friends at DC and Marvel have abandoned the storytelling racket and are drowning themselves in the pool of “Event publishing.” During that time, line average comic book circulations have plummeted by about two-thirds.

(Explaining The Stupid Math Trick: “Line averages” are compiled by adding up the circulations of each individual issue printed by each publisher during the year and then dividing the total by the number of different issues involved. Variant covers and extra printings confuse the issue, but, screw it, they’re cheesy hustles that only complicate the processes. I refuse to acknowledge a second printing unless the publisher tells us what the first printing was. If Marvel Comics printed only 750 copies of Amazing Fantastic Fury #7 and then celebrated that success with a second printing, the whole thing is as meaningless as a fart in a blizzard in the dead of winter.)

So why am I carping about this now? And, not to mention, again? As is their wont, Marvel and DC each issued their February 2020 catalogs. On the cover of Marvel Previews – Wolverine #1!!! Another stunning concept from the House of Idea! Oh, and it’s got at least 12 different variant covers – not counting those that might be done for individual retailers – and this includes a virgin variant (wait… what? Alex Ross is a virgin???), hidden gem variants, a party variant, a die cut variant, and an adamantium variant – which, by way of disclaimer, is not even made of adamantium.

To honor their own Event, Marvel is reprinting three previous Wolverine #1’s as well. Will all this hubbub restore Wolvie to his former sales glory? Continue reading “Brainiac On Banjo #063: Again With The Event Bitching?”