As the seasons turn, and we remain locked indoors, awaiting the eventual end of the plague (either the coronavirus or Donald Trump’s presidency… I’ll take the end of either at this point)… I’m left once again watching professional wrestling. Since the beginning of the pandemic, both the WWE and AEW have chosen ways to bring back the crowds. AEW is selling a very small amount of tickets for socially-distant, attendee-testing-at-the-gate fans to enjoy tapings of AEW Dynamite in Daley’s Place (the amphitheater at the base of the stadium where the Jacksonville Jaguars play). The WWE has opted instead to drain Orlando of its power grid by way of their Thunderdome “stadium” — with the arena where the Orlando Magic play basketball now housing the ring, and an insane amount of LED boards where a virtual audience and piped-in crowd noise are filmed during their tapings.
This weird new normal has created some interesting times — if perhaps some less-than-stellar product. But some pro rasslin’ is better than none. I’m not apt to complain there. Something happened not long ago in the WWE though, that has caused me to sour that much more to their ever-dwindling-in-quality-product. Continue reading “So Long and Thanks for the Fish, Man #070: Vince McMahon Can Twitch My Ass”