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“So Long and Thanks for the Fish, Man” #051: Why Can’t I Care About Disney+?

“So Long and Thanks for the Fish, Man” #051: Why Can’t I Care About Disney+?

My name is Marc Alan Fishman, and I have a solemn confession: I don’t love Disney. I barely like it, in fact. The House of Mouse has come to own basically over half of all known creative content within my personal wheelhouse — that of the nerdy variety. It seems suspect that my head tells me I should have been coocoo-bananas for the recently launched Disney+ steaming service, yet my heart makes a wet fart noise and I move on.

And trust me, it feels like a rare feat. My social media feeds are nearly choked with baby Yoda (not Yoda)  memes, and genuine gushing goo-goo’ing over all the content on the service. Yet, no matter how many trusted friends stamp The Mandalorian with their recommendation, nor posting about reruns of Darkwing Duck… the excitement bounces off of me much like I assume elation over a new BTS album dropping does to a hipster. And let’s be clear as day kiddos: I ain’t hip. Continue reading ““So Long and Thanks for the Fish, Man” #051: Why Can’t I Care About Disney+?”

What the heck is happening at Heavy Metal? Or Deadspin or media in general?

On Tuesday, a week after CEO Jeff Krelitz’s departure was announced, an editor at Heavy Metal made public her reasons for leaving the company and we learned that Heavy Metal doesn’t have an HR Department.

The spectres Hannah Means-Shannon raises with naming her reasons for leaving are troubling. The idea that a company is trying to lockdown materials they do not own is a questionable practice in and of itself, but the additional pressure that was brought to bear creating a toxic work environment for Ms. Means-Shannon may belie an even more worrisome corporate culture at work at the Heavy Metal offices…

Continue reading “What the heck is happening at Heavy Metal? Or Deadspin or media in general?”

Breaking: Top Cow Teams with Humble Bundle to Aid California Wildfire Victims

Breaking: Top Cow Teams with Humble Bundle to Aid California Wildfire Victims

Top Cow has just announced a new program that allows people to get access to digital comics and donate to humanitarian causes at the same time.  When you purchase a Humble Bundle of new and classic Top Cow titles, you can designate funds to go to Direct Relief, a humanitarian aid organization is that is helping California residents affected by the deadly wildfires in meaningful ways.

These comics can be downloaded in multiple formats to be viewed on multiple platforms. Donations range from $1 to $15, and you can get access to up to $760 worth of comics. There is a sliding scale that gives you more comic goodness for the more you donate.

Continue reading “Breaking: Top Cow Teams with Humble Bundle to Aid California Wildfire Victims”

Everything We Read This Week – 10/17/2018

Everything We Read This Week – 10/17/2018

Welcome back as we make our weekly trip through this week’s pull-list. It features mostly spoiler-free brief analysis and commentary of each book.

There are plenty of good comics out there. Make sure you go find some. Hopefully, you might find what we say interesting enough to try some of these comics

Also, Don’t forget to check our hotlist of new books debuting this month over here. You will see books that we were looking forward to with the designation Hot #1 by them.

DISCLAIMER: 

There is a 4 star rating system. It is simple and not to be taken too seriously as everyone gets their own impressions of art. These ratings are just to give our readers an idea of what we thought of the book, and they will be on the generous side normally. So don’t expect to see a lot of 1 Stars. After all, its not often that you have a bad book on your pull-list.

The rating system is as follows:

Great

 Good

 OK

 Not Good

And here are the books we read in alphabetical order:

Continue reading “Everything We Read This Week – 10/17/2018”

So Long and Thanks for the Fish, Man #014:  Con-Job!

So Long and Thanks for the Fish, Man #014: Con-Job!

Unshaven Comics — the studio that houses myself and my brothers-from-other-mothers — participated in our final conventions for 2018. While other comic cons are going to be running through the end of the year… for us, the year is over. And what an interesting experience we as a company had in our final pair of shows. It seemed we forgot how calendars operate, and wound up double-booking ourselves. The newly minted Ace Universe show in Chicago welcomed us (and our money) the very same weekend we’d committed (as always) to the Kokomo Comic Con, in Kokomo, Indiana. Luckily for us, there are 3 Unshaven Lads, and Kokomo was only a one-day shindig — allowing us to divide and conquer. With that being said… there is a lot to unpack regarding the size, scope, and relative success my motley crew saw across the pair of shows.

Ace Universe is a hot new contender in the pop culture convention space. As brought to the geek kingdom by way of the Shamus empire — formerly of Wizard World fame. Ace’s calling card is top tier talent specifically in the autograph / photo-op space. Specific to the Ace Universe Chicago show we tabled at? Chris Evans, Tom Hiddleston, Elizabeth Olsen, Karen Gillan, Zazie Beetz, Matt Smith, and a litany of WWE Stars all took center stage. The show itself was held at Chicago’s Navy Pier — which by most fans we spoke to, was not the easiest or accommodating commute to take. The convention hall was a single large open room, with the autograph/photo-op area dead center, artists and vendors around its periphery, with a “main stage” set in the tail-end of the space.

As an artist tabling at the show, we found almost immediately that our success would be wholly achieved through the grind; as most of the attendees came strictly to collect their photos and signatures. These “celebrity experiences” were costly endeavors — with VIP packages starting in the mid $200 range. Keeping that in mind? It became apparent that we lowly vendors and artists were there strictly to act as window dressing and distractions for the already wallet-light fans milling about. Friday itself was the most-rough day of the weekend, with the after-work crowds all dawdling in with little desire to buy. Saturday and Sunday saw larger and more amicable fans pursuing the aisles (all 4 of them) with only slightly more desire to hear about new and wonderful independent publications (such as “The Samurnauts” or “Toolbox”). Given a relatively tame tabling fee, Unshaven Comics left Navy Pier on Sunday night a little above break-even; once the $30 per-car per-day parking snapped the top off our coffers.

In contrast, the Kokomo Comic Con was a single day, single community affair in the wonderfully proud 13th largest city in Indiana. Here in its 9th year, Kokomo Con is a show Unshaven makes the trek out for regardless of specific sales goals. As denoted this year even more than the last, with little new to showcase at our table, most of my interactions throughout the day really were with well-wishers who already owned all that I came to promote. Anchored by stalwart Indiana-based comic bookers like guest-of-honor Stuart Sayger, always amicable Gavin Smith, and a handful of other fantastic independent artists and vendors… the show seats itself in the wide-eyed, big-smiled hearts of those who know what comic conventions of yesteryear looked like. With costume contests, light-hearted announcements over the PA, and a little over 1000 fans from around the city and beyond milling about, it was as far removed from Ace as one might get.  Continue reading “So Long and Thanks for the Fish, Man #014: Con-Job!”